Park Theatre

Intra Muros Q&A video and photos: What is the point of theatre? How do actors marry up their dual lives?

By |2020-01-25T23:20:59+00:0014 April 2019|Tags: , , , , , , , , , , |

What does theatre mean to you? How do actors marry up the dual emotional demands of their chosen profession? How many 'characters' or versions of ourselves to the rest of us play in our own lives?

Q&A video and photos: Overturning the ‘white saviour’ narrative with the Cry Havoc company

By |2020-01-25T23:28:32+00:009 April 2019|Tags: , , , , , , , , , |

How lucky am I? Last night I got to spend a second night in a row with lovely Olivier Awards nominee Marc Antolin, now starring in new play Cry Havoc at the Park Theatre.

Gently Down the Stream Q&A podcast and photos: Martin Sherman on passing on gay history and happiness

By |2020-01-26T00:08:26+00:0022 February 2019|Tags: , , , , , , , |

"It's so rare these days to see a play about optimism," the wonderful actor Malcolm Sinclair told me after Wednesday night's performance of Gently Down the Stream at the Park Theatre.

My Dad’s Gap Year Q&A video and photos: Launching Tom Wright and Rikki Beadle-Blair’s unstoppable collaboration

By |2020-01-26T00:25:33+00:008 February 2019|Tags: , , , , , , , , , , , , , , |

The Park Theatre was absolutely buzzing last night with two sell-out shows, including in Park 90, Tom Wright's debut play My Dad's Gap Year, which has nearly sold out the rest of its run too. What's the secret alchemy between Wright and his director Rikki Beadle-Blair?

Dialektikon Q&A video and photos: How much do you know about Stokely Carmichael? (And four other big thinkers)

By |2020-01-26T21:56:40+00:0013 December 2018|Tags: , , , , , , , , |

Author Jacky Ivimy was inspired to start writing Dialektikon after coming across film and transcripts from the Liberation of Dialectics Congress.

Pressure Q&A video and photos: How did David Haig come to write and star in a play about unsung Scottish hero and weatherman James Stagg?

By |2020-02-01T22:44:04+00:003 July 2018|Tags: , , , , , , , , , , , |

If you'd never heard of the James Stagg before David Haig's latest play Pressure, don't feel bad: neither had he. Haig was approached by director John Dove and Edinburgh's Royal Lyceum Theatre who wanted to create a play about an unsung Scottish hero.

Schism Q&A video and photos: Talking feminism, diversity, accessibility and toxic relationships with author-actor-activist Athena Stevens

By |2020-02-01T22:53:01+00:001 June 2018|Tags: , , , , , , , |

Two scratch-your-head stats shared during my post-show Q&A for Schism last night at London's Park Theatre: one, less than five percent of the UK population has dated someone with a disability.

Rothschild & Sons Q&A podcast and photos: Broadway legend Sheldon Harnick on why the Jewish story must be told

By |2020-02-01T23:58:24+00:001 February 2018|Tags: , , , , , , , , , , , |

The Jewish story must continue to be told, Sheldon Harnick told me and a packed house at London's Park Theatre after a performance of Rothschild & Sons, for which he wrote the lyrics to the music by late collaborator Jerry Bock.

Q&A video and photos: Talking therapy & sexual misconduct at The Secondary Victim

By |2020-03-27T15:20:38+00:0022 November 2017|Tags: , , , , , , , , , , , , , |

It was a packed house - including many therapy professionals - for Matthew Campling's new play The Secondary Victim at the Park Theatre. Which made for some very knowledgeable comments and insights at the post-show Q&A.

‘A landscape of mystery’: Fishskin Trousers Q&A photos and tweets

By |2020-03-27T15:35:06+00:0030 October 2017|Tags: , , , , , , , , , |

How much can a landscape shape a person's identity? How much can a landscape shape a play's plot? In answer to the latter question, in the case of Elizabeth Kuti's Fishskin Trousers, the answer is certainly quite a lot.
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