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DTSTART;TZID=Europe/London:20200311T194500
DTEND;TZID=Europe/London:20200311T214500
DTSTAMP:20200220T183708Z
CREATED:20200220T183708Z
LAST-MODIFIED:20200220T183708Z
UID:27624-1583955900-1583963100@terripaddock.com
SUMMARY:Love\, Loss & Chianti
DESCRIPTION:I’m excited to raise a toast to Robert Bathurst and the team behind poetry-inspired Love\, Loss & Chianti – and to pay my first visit to the new\, purpose-built home for iconic London arts centre Riverside Studios. \n‘Witty’ and ‘enchanting’ (★★★★ Telegraph)\, Love\, Loss & Chianti is an intimate new production starring Robert Bathurst (Cold Feet\, Downton Abbey\, Toast of London) and Rebecca Johnson (The Trip\, The Flood). \nThe perfect night out for anyone who’s ever loved\, lost or been on a rubbish date… \nA delicious double-bill\, Love\, Loss & Chianti combines critically acclaimed poet Christopher Reid’s hauntingly powerful exploration of grief (A Scattering) with his raucous verse comedy\, following a reckless attempt at rekindling an old flame (The Song of Lunch) – what could possibly go wrong? \n\nThe production is directed by Jason Morell and set to spectacular animation by celebrated Alex cartoonist Charles Peattie. \nThe critics have raved about Christopher Reid‘s Costa Prize-winning poetry\, which forms the basis for Love\, Loss & Chianti: ‘consistently witty verse… gorgeous phrase-making… enchanting’ (Telegraph)\,  ‘a crisp\, full-bodied\, powerful drama’ (Mail on Sunday)\, ‘a joy from start to finish’ (The Times)\, ‘beautiful and moving… a masterwork’ (Costa Prize judges on A Scattering). \nFollowing the 7.45pm performance of Love\, Loss & Chianti on Wednesday 11 March 2020\, I’ll chair a discussion with stars Robert Bathurst and Rebcca Johnson and the team. Any questions? \nBook tickets for Love\, Loss & Chianti post-show Q&A
URL:https://terripaddock.com/events/love-loss-chianti/
LOCATION:Riverside Studios\, 101 Queen Caroline Street\, London\, W6 9BN\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/02/Robert-Bathurst-Love-Loss-Chianti-800x600-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200306T193000
DTEND;TZID=Europe/London:20200306T211500
DTSTAMP:20200228T113532Z
CREATED:20200228T111639Z
LAST-MODIFIED:20200228T113532Z
UID:27640-1583523000-1583529300@terripaddock.com
SUMMARY:Can I Help You?
DESCRIPTION:The world premiere of Can I Help You?\, the final play by pioneering British theatremaker Philip Osment\, runs at London’s Omnibus Theatre care of Playing ON\, the company he co-founded. \nAn off-duty English policeman is about to throw himself off Beachy Head when he is met by a Ghanaian woman carrying a laundry bag and a cat box. Over the course of one night\, two very different people learn what it truly means to be touched by the magic of hope. A nuanced and compassionate piece\, it finds hope in the bleakest of circumstances. \nGabriel Vick and Susan Aderin star as Francis and Fifi in this poetic and uplifting examination of how race and gender intersect with issues of mental health. \nThe piece is partly inspired by characters created by service users and clinicians in a six-week theatre engagement programme that Playing ON ran with East London NHS Foundation Trust (ELFT) and Theatre Royal Stratford East\, as well as several interviews with members of the Ghanaian community. The company looks to marry professional theatre and socially engaged practice\, using theatre as a method for the powerless and the powerful to explore common issues and find insight into the other’s perspective. \nDirector Jim Pope says: \n\n“The most precious thing Philip gave to me was the understanding that the real way to engage a group is to listen\, respect\, honour who they are and treat their offerings as precious gifts. This leads to trust and the permission to interpret\, challenge\, question\, and makes stories. Philip was a teacher\, mentor\, therapist and so many other things to me; he was a friend. His practice is the bedrock of our work\, which I take forward into every creative space we enter.” \n\nFollowing the 7.30pm performance of Can I Help You? on Friday 6 March 2020\, I’ll talk to the Playing ON company about the play and the legacy of Philip Osment. Any questions? Join us! \nBook tickets for Can I Help You? with post-show Q&A
URL:https://terripaddock.com/events/can-i-help-you-omnibus-theatre-post-show-talk/
LOCATION:Omnibus Theatre\, 1 Clapham Common Northside\, London\, SW4 0QW\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/02/Artwork-hands-Can-I-Help-You-800x533-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200304T193000
DTEND;TZID=Europe/London:20200304T213000
DTSTAMP:20200301T184041Z
CREATED:20200218T194756Z
LAST-MODIFIED:20200301T184041Z
UID:27616-1583350200-1583357400@terripaddock.com
SUMMARY:Sinners
DESCRIPTION:In Sinners\, a woman is waiting to be stoned to death for adultery. How common is stoning? Where is it legal? What are the political implications for speaking out – or not – against this barbaric practice? \nThe play examines both Layla’s and Nur’s choices for love and survival and the striving for freedom in a patriarchal culture. Nur can save his own life by throwing the first stone. What choice will he make? \nCould you throw the first stone to save yourself? \nIsraeli writer Joshua Sobol‘s acclaimed play manages to evoke a universal dialogue about male and female roles that question stereotypes. This fully-staged\, 90-minute production is directed by Golden Globe winner Brian Cox (currently onscreen in Succession) and stars Nicole Ansari and Adam Sina. \nFollowing the 7.30pm performance of Sinners on Wednesday 4 March 2020\, I’ll chair a discussion with members of the company looking at the Middle Eastern context and political implications. Any questions? \nBook tickets for Sinners post-show Q&A
URL:https://terripaddock.com/events/sinners-playground-theatre-post-show-talk-2/
LOCATION:Playground Theatre\, Latimer Road\, London\, W10 6RQ
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/02/Sinners-Playground-Theatre-800.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200303T193000
DTEND;TZID=Europe/London:20200303T221500
DTSTAMP:20200218T184958Z
CREATED:20200102T082203Z
LAST-MODIFIED:20200218T184958Z
UID:21923-1583263800-1583273700@terripaddock.com
SUMMARY:Macbeth
DESCRIPTION:After 2019 season productions of The Tempest\, Lord of the Flies and Salome\, I’m delighted to reunite with Lazarus Theatre to chair a series of post-show debates with the company for their 2020 residency at Greenwich Theatre: Shakespeare’s Macbeth\, Ibsen’s Hedda Gabler and JM Barrie’s Peter Pan. \n“When shall we three meet again in thunder\, lightning\, or in rain?”\nVictorious from a bloody battle the triumphant Macbeth is greeted by the three weird sisters. Inspired and driven by their incredible prophecies he sets out on the path to conquer all. A story of ambition\, leadership and belief. \nShakespeare’s supernatural and bloody Macbeth bursts onto the stage in this epic new ensemble production and features as the first production in Lazarus Theatre’s third year-long residency at Greenwich Theatre. \nMacbeth is adapted and directed by Ricky Dukes and is produced in association with The Greenwich Theatre as part of Lazarus’ Greenwich Made / Greenwich Played residency. \nFor the Q&A after the 7.30pm performance of Macbeth on Tuesday 21 May 2019\, I’ll be joined by artistic director Ricky Dukes\, the company and guests. Any questions? Join us!
URL:https://terripaddock.com/events/macbethqa/
LOCATION:Greenwich Theatre\, Crooms Hill\, London\, SE10 8ES\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/MACBETH-1-TITLE-WIDESCREEN-2.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200212T143000
DTEND;TZID=Europe/London:20200212T170000
DTSTAMP:20200209T005141Z
CREATED:20200209T005141Z
LAST-MODIFIED:20200209T005141Z
UID:27577-1581517800-1581526800@terripaddock.com
SUMMARY:Once The Musical
DESCRIPTION:Once The Musical\, the multi-award-winning Broadway and West End hit\, has now embarked on its first major tour of the UK\, including this week at the New Victoria Theatre\, Woking\, where I’ll catch up with Guy\, Girl and the gang. \nBased on the cult 2007 Irish indie feature\, originally shot on a micro-budget of just $160\,000\, Once tells the uplifting yet yearning story of two lost souls – a Dublin street busker and a Czech musician – who unexpectedly fall in love. Following their relationship across five short days\, big changes happen to both of them in little ways. Celebrated for its original score including the Academy Award-winning song Falling Slowly\, Once is a spell-binding and uplifting story of hopes and dreams. \nThe cast is led by Daniel Healy as Guy and Emma Lucia as Girl\, who return to the roles after receiving acclaim in this production’s 2018 premiere at the New Wolsey Theatre\, Ipswich and Queen’s Theatre\, Hornchurch. \n \nHealy is a singer-songwriter\, musician and actor\, who has co-written songs for multi-platinum artist Ronan Keating including the single Breathe\, which topped the BBC Radio 2 Playlist. His theatre credits include Backbeat and Once\, both in the West End. Emma Lucia made her professional debut as Marilyn and understudying Carole King in the UK Tour of Beautiful\, before taking on the role of Girl in Once. \nThe stage version of Once premiered at the New York Theatre Workshop in 2011 before transferring to Broadway in 2012. There it won eight Tony Awards including Best Musical\, the Drama Desk Award for Outstanding Musical and the Grammy Award for Best Musical Theater Album. Productions have since opened all over the world\, including the West End production in 2013 which received the Olivier Award for Outstanding Achievement in Music. \nOnce has a book by award-winning Irish playwright and screenwriter Enda Walsh\, and music and lyrics by Academy Award-winning Glen Hansard and Markéta Irglová who\, for Falling Slowly\, won the Oscar for Best Original Song. \nFollowing the 2.30pm matinee of Once at Woking’s New Victoria Theatre on Wednesday 12 February 2020\, I’ll chair a post-show discussion with the company. Any questions? Join us! \nBook tickets for Once + Q&A at the New Victoria Theatre\, Woking \n 
URL:https://terripaddock.com/events/once-musical-new-victoria-theatre-woking-post-show-talk/
LOCATION:New Victoria Theatre\, The Ambassadors\, The Peacocks Centre\, Woking\, GU21 6GQ\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/02/Once_Landscape_800.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200207T193000
DTEND;TZID=Europe/London:20200207T220000
DTSTAMP:20200126T214201Z
CREATED:20200102T084618Z
LAST-MODIFIED:20200126T214201Z
UID:21929-1581103800-1581112800@terripaddock.com
SUMMARY:Chaplin
DESCRIPTION:After my post-show talk to Jekyll & Hyde in September\, I’m delighted to return to Brockley Jack Theatre for Chaplin\, another Arrows & Traps production – and more exciting still\, a brand-new play\, written and directed by artistic director Ross McGregor. \n“What a sad business\, being funny” – Limelight (1952) \nFor over 100 years\, Charlie Chaplin has been the world’s best-loved clown.  His brilliant comic creation of “The Little Tramp” is the first and most recognisable cinematic icon in history. But his remarkable story of stardom and success has a darker side. \nRaised in the horrific\, grinding poverty of a Victorian slum\, Charlie never knew the security of a stable family.  Whilst his parents destroyed themselves with disastrous ambition and unshakeable vice\, Charlie was thrown at the mercy of the workhouse. Desperate to escape his feral existence on the streets of South London\, Charlie became captivated by the shining lights of vaudeville\, and gradually began to see a way out. \nArrows & Traps return to Brockley Jack with the premiere of Chaplin\, an examination of the relationship between experience and creativity. You’re invited to discover how Charlie Chaplin spun personal tragedy into universal comedy\, in a psychological exploration of one of the world’s most remarkable lives. \nCritically-acclaimed\, 17-time Offies-nominated Arrows & Traps’ many other sell-out hits at Brockley Jack include Jekyll & Hyde\, One Giant Leap\, Dracula\, The White Rose\, Frankenstein and Crime & Punishment. Chaplin is once again written and directed by artistic director Ross McGregor. It’s produced by Christopher Tester. \nAfter the 7.30pm of Chaplin on Friday 7 February 2020\, I’ll be joined by the play’s writer and director Ross McGregor and members of the Arrows & Traps cast. Any questions? Join us!
URL:https://terripaddock.com/events/psychological-portrait-of-the-little-tramp-chaplin-post-show-talk-with-arrows-traps-writer-and-director-ross-mcgregor/
LOCATION:Brockley Jack Theatre\, 410 Brockley Road\, London\, SE4 2DH\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/Artwork_Chaplin-Landscape_600x400.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200206T193000
DTEND;TZID=Europe/London:20200206T221500
DTSTAMP:20200127T172901Z
CREATED:20200122T172201Z
LAST-MODIFIED:20200127T172901Z
UID:26083-1581017400-1581027300@terripaddock.com
SUMMARY:The Jury
DESCRIPTION:Jason Schofield has been charged with the murder of his wife. He’s claiming self-defence. After an eternity of waiting\, the case has finally come to trial and it’s up to twelve strangers to decide his fate. What really happened on that night? Was it cold-blooded murder? Was Emily Schofield really the victim here? \nA ‘fly on the wall’ production sees 12 strangers collide in a case that will change them forever. The evidence is tainted\, the verdict is divided\, and the rules are abandoned. \nThe Jury has music and lyrics by Ashley M A Walsh\, book by Amy Fletcher and additional lyrics by Fletcher and Timothy Vest. The premiere production is directed by Joseph Meighan. \nThe 12-strong cast are Laura Meaton\, Katherine Green\, Ashley Ball\, Bethany Grace\, David Gibbons\, Kaidyn Hinds\, Tom Blackmore\, Huon Mackley\, Elizabeth Brooks\, Laura Coard\, Janice Fryett and Charlie Culkin. \nI’m looking forward to speaking to the creatives and cast of this brand-new musical at a special press-night post-show discussion! I hope lots of blogger mates can make it!
URL:https://terripaddock.com/events/jury-upstairs-gatehouse-post-show-talk/
LOCATION:Upstairs at the Gatehouse\, 1 North Road\, London\, N6 4BD\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/82408131_2511185342431670_487788652806537216_o-e1579713538434.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200130T193000
DTEND;TZID=Europe/London:20200130T220000
DTSTAMP:20200103T132226Z
CREATED:20200102T085150Z
LAST-MODIFIED:20200103T132226Z
UID:21933-1580412600-1580421600@terripaddock.com
SUMMARY:For the Sake of Argument
DESCRIPTION:How much responsibility should journalists take for the words they write? Are we all ‘citizen journalists’ now? How much responsibility should we take for the information we share and the arguments we make online?\nIn world premiere drama For the Sake of Argument\, written and directed by Harry Darell\, Eleanor Hickock is a passionate and argumentative polemical journalist who becomes the Iraq War’s chief evangelist. For her\, conversations are a battleground and words are tools for manipulation. \nEleanor’s stance on the US-UK led 2003 invasion to oust Saddam Hussein persuades one young reader\, Mark\, to enlist. When Mark’s mother seeks out the journalist who convinced her son to die for his country\, sparks fly and violent confrontations ensue. Eleanor is faced with a family in mourning and is asked to answer for it. \nThis hard-hitting new play interrogates the power and danger of language. In our world of clickbait and instantaneous reaction on social media\, people formulate entire beliefs based on 240 characters and the headlines of pieces they’ve barely read. This play looks to promote the value of compassion and understanding\, highlighting the dangers of flippantly taking radical positions on important issues. It encourages patience rather than knee-jerk reaction. \nIn For the Sake of Argument\, Ashleigh Cole stars as Eleanor Hickock alongside Georgie Farmer\, Greg Snowden\, Paula Cassina\, Ella May\, Arthur Velarde\, Harry Eaton-Mercer\, Lucia France\, Matt Weyland and Harry Farmer. \nAfter the 7.30pm performance on Thursday 30 January 2020\, I’ll be joined by writer/director Harry Darell and members of the For the Sake of Argument. Any questions? Join us! 
URL:https://terripaddock.com/events/world-premiere-political-drama-for-the-sake-of-argument-post-show-talk-with-writer-director-and-cast/
LOCATION:Bridewell Theatre\, 14 Bride Lane\, London\, EC4Y 8EQ\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/FortheSakeofArgument_AdAssets_Jan20.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200123T193000
DTEND;TZID=Europe/London:20200123T220000
DTSTAMP:20200103T131751Z
CREATED:20200102T085837Z
LAST-MODIFIED:20200103T131751Z
UID:21937-1579807800-1579816800@terripaddock.com
SUMMARY:Magic Goes Wrong
DESCRIPTION:In the latest of a monthly series of Mischief Theatre post-show talks in the West End\, I’ll return to the Vaudeville Theatre\, where\, following Groan Ups\, the company’s year-long season of new work continues with a brand-new ‘goes wrong’ comedy.\nCreated with magic legends Penn & Teller\, Mischief Theatre conjure up an evening of grand illusion in Magic Goes Wrong. In the next ‘Goes Wrong’ comedy to hit the West End\, the original Mischief company play a hapless gang of magicians presenting a charity event. As the accidents spiral out of control\, so does their fundraising target! \nThe Magic Goes Wrong cast features original Mischief Theatre’s Bryony Corrigan (as Spitzmaus)\, Roxy Faridany (Eugenia)\, Dave Hearn (The Blade)\, Henry Lewis (Mind Mangler)\, Henry Shields (Sophisticato)\, Jonathan Sayer (Mickey) and Nancy Zamit (Bear). The cast is completed by Natasha Culley\, Laurence Pears\, Sydney K Smith and Liv Spencer. \nThe new comedy is written by Mischief’s Jonathan Sayer\, Henry Lewis and Henry Shields with Penn & Teller\, directed by Adam Meggido\, with set design by Will Bowen\, costumes by Roberto Surace\, lighting by David Howe and sound by Paul Groothuis\, music by Steve Brown\, movement by Ali James\, video and projection by Duncan McLean\, with Ben Hart as magic consultant and Hannay Sharkey as associate director. \nAfter the 7.30pm performance of Magic Goes Wrong on Thursday 23 January 2020\, I’ll be joined by Mischief Theatre creatives and cast members. Any questions? Join us!
URL:https://terripaddock.com/events/magic-goes-wrong-mischief-theatre-post-show-talk/
LOCATION:Vaudeville Theatre\, 404 Strand\, Covent Garden\, London\, WC2R 0NH\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/Artwork_MagicGoesWrong_landscape2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200117T200000
DTEND;TZID=Europe/London:20200117T223000
DTSTAMP:20200103T130746Z
CREATED:20200102T090305Z
LAST-MODIFIED:20200103T130746Z
UID:21941-1579291200-1579300200@terripaddock.com
SUMMARY:COPS
DESCRIPTION:Chicago. 1957. Four cops\, of different ages\, classes and races\, all suspicious of each other\, must grab a gangster turned state witness before the Mob can get him.\nOutside their office\, the world is changing. The Civil Rights movement. Race riots. Mass consumerism. Rock ‘n’ Roll. Elvis has arrived. Sex is everywhere. \nCOPS was inspired by real-life events in the often brutal and corrupt world of 1950s Chicago policing and mob violence. With wit\, humour and razor-sharp\, fast-moving dialogue\, this emotionally powerful and poignant new play movingly reveals the men’s personal stories. \nAs much comedy as it is drama\, with wonderfully written characters\, razor-sharp\, witty banter\, authentic spiky dialogue\, and explosive scenes of emotional power and soul-baring poignancy\, COPS examines masculinity and racism whilst offering a touching message about how love conquers all and blood being thicker than water. \nWriter Tony Tortora is originally from Brooklyn but now lives in Harrogate\, England. The first few lines of COPS sprang into his mind while reading an account of a real-life 1950’s Chicago criminal case. While the cops are fictional\, the gangsters’ names are all taken from their real-life counterparts. Despite its carefully researched period story\, the play’s depiction of the need for people from widely differing ethnic and social backgrounds to overcome prejudice and suspicion and work together seems just as relevant now. \nCOPS stars Roger Alborough\, Jack Flammiger\, Daniel Francis and James Sobol Kelly\, directed by Andy Jordan for Andy Jordan Productions and Pluto Productions. \nAs part of COPS official opening night\, following the 8pm performance on Friday 17 January 2020\, I’ll talk to director-producer Andy Jordan and the company. Any questions? Join us!
URL:https://terripaddock.com/events/cops-southwark-playhouse-post-show-talk/
LOCATION:Southwark Playhouse Borough\, 77-85 Newington Causeway\, London\, SE1 6BD\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/Artwork_Cops_600.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191215T150000
DTEND;TZID=Europe/London:20191215T173000
DTSTAMP:20200103T121119Z
CREATED:20200102T092637Z
LAST-MODIFIED:20200103T121119Z
UID:21948-1576422000-1576431000@terripaddock.com
SUMMARY:Curtains
DESCRIPTION:Curtains runs at the West End’s Wyndham’s Theatre from 13 December 2019 to 11 January 2020 \nKander & Ebb’s 2007 Broadway musical whodunnit CURTAINS at last gets its West End premiere with a strictly limited month-long festive season at Wyndham’s Theatre\, starring Jason Manford.\nGet all social media for Curtains & its cast on www.stagefaves.com \nIt’s murder putting on a new musical – literally! Jessica Cranshaw\, star of the new Broadway-bound musical Robbin Hood\, has been murdered on stage on opening night. The entire cast and crew are suspects. \nTime to call in the local detective\, Frank Cioffi\, who just happens to be a huge musical theatre fan. With a nose for crime and an ear for music\, Frank has his work cut out trying to find the killer whilst giving the show a lifeline. \nFrom the creators of Cabaret and Chicago\, Tony Award-winning backstage murder mystery musical CURTAINS has had audiences on tour laughing and guessing right to the final curtain. It’s a hilarious whodunnit is packed full of catchy songs\, unforgettable characters and plot twists galore. \nIn this new production\, comedian\, actor and singer Jason Manford (The Producers\, Chitty Chitty Bang Bang\, Guys and Dolls) stars as detective Frank Cioffi\, along with a top-notch cast that also features Carley Stenson\, Rebecca Lock\, Samuel Holmes\, Andy Coxon\, Leah West and Alan Burkitt. \nFollowing the 3pm matinee of CURTAINS on Sunday 15 December 2019 at the West End’s Wyndham’s Theatre\, I’ll be joined by the stars of the show for this unmissable post-show talk. Any questions? Join us!\nShow trailer\n﻿
URL:https://terripaddock.com/events/curtains-jason-manford-wyndhams-theatre-post-show-talk/
LOCATION:Wyndham’s Theatre\, Charing Cross Road\, London\, WC2H 0DA\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/600x400_Curtains_magnifier.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191211T203000
DTEND;TZID=Europe/London:20191211T220000
DTSTAMP:20200103T121107Z
CREATED:20200102T093233Z
LAST-MODIFIED:20200103T121107Z
UID:21955-1576096200-1576101600@terripaddock.com
SUMMARY:The Signalman
DESCRIPTION:The Signalman runs at London’s Old Red Lion Theatre from 10 December 2019-4 January 2020 \nA Christmas Carol – in all its myriad guises – isn’t your only Charles Dickens festive option this year…\nI’m so intrigued by this new adaptation of The Signalman\, Charles Dickens‘ mystery story that was first published in the Christmas edition of Victorian periodical All the Year Round in 1866. And I’m very pleased to be returning to the Old Red Lion after my post-show talks for Anomaly\, Bromley Bedlam Bethlehem and Danelaw this year… \nA signalman is haunted by a mysterious figure standing at the mouth of a train tunnel. He’s sure it’s a warning – but what is it warning against? \nThe Signalman was Charles Dickens‘ final completed work\, written after the writer himself had survived a train crash. The story was famously adapted by the BBC in the 1970s as one of the popular Ghost Stories for Christmas\, starring Denholm Elliott as the signalman. \nThis Paragon Theatre Collective adaptation by Martin Malcolm (Warped\, VAULT Festival 2019) remains faithful to the original text but also incorporates other aspects of Dickens’ writing\, including the introduction of Joe the crossing sweeper\, who listens as the signalman’s tale unfolds. \nAt the Old Red Lion Theatre\, Tim Larkfield and Helen Baranova star. The production is directed by Sam Raffal. \nFollowing the 8.30pm performance (50 minutes) of The Signalman on Wednesday 11 December 2019\, I’ll be joined by writer\, director and cast. Any questions? Join us!
URL:https://terripaddock.com/events/signalman-old-red-lion-theatre-post-show-talk/
LOCATION:Old Red Lion Theatre\, 418 St John St\, Islington\, London\, EC1V 4NJ\, United Arab Emirates
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/Artwork_Signalman_600x400.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191210T190000
DTEND;TZID=Europe/London:20191210T210000
DTSTAMP:20200103T121053Z
CREATED:20200102T093836Z
LAST-MODIFIED:20200103T121053Z
UID:21959-1576004400-1576011600@terripaddock.com
SUMMARY:Blood Orange
DESCRIPTION:Blood Orange runs from 10 December 2019 to 4 January 2020 at London’s Old Red Lion Theatre \nThis may be the Brexit election\, but YouGov polling shows that\, after Brexit (and hardly mutually exclusive)\, the British public say that the NHS is the most important issue facing the nation\, which will influence their voting.\nIt’s certainly the most important issue for writer and performer Tania Amsel\, whose new play Blood Orange shines a light on pressures on NHS staff. To focus the mind ahead of the ballot box\, we’ll be discussing the issues and political ramifications at a special pre-election post-show Q&A two days before #GE2019. \n“I knew I wanted to be a doctor when I became fascinated with poking holes in oranges to see if blood would come out…” \nIt’s Christmas Eve in Swansea A&E and Amy has just vomited all over a hot doctor’s shoes. Amy is not a patient at the hospital\, she’s a Junior Doctor… Hoping to secure a transfer to Great Ormond Street Hospital in London\, Amy can handle the long hours\, the overtime\, and even the shame of vomiting on her colleague’s shoes. \nBut when assigned to the case of a boy with cancer\, Amy is confronted with childhood memories she thought she’d forgotten and the pressure begins to take its toll. When helping others is at the heart of your career\, what happens when you are suddenly the one who needs help? \nBlood Orange is a new one-woman play that explores themes of love\, loss and childhood trauma with pathos\, dry wit\, and a twist of dark comedy. \nTania Amsel was inspired to write Blood Orange after the 2016 junior doctors’ strike. It was researching with doctors and other medical staff\, looking at how their workload creates stress in a medical context and\, added to that\, how caring for patients emotionally often takes priority over personal well-being. The run supports two charities: Great Ormond Street Hospital and SANE. \nAfter the performance of Blood Orange on Tuesday 10 December 2019\, I’ll be joined by Tania Amsel and special guests. Any questions? Join us!
URL:https://terripaddock.com/events/blood-orange-old-red-lion-theatre-post-show-talk/
LOCATION:Old Red Lion Theatre\, 418 St John St\, Islington\, London\, EC1V 4NJ\, United Arab Emirates
CATEGORIES:Post-show,Q&As,Special events
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/Artwork_Landscape_BloodOrange600x400.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191208T180000
DTEND;TZID=Europe/London:20191208T201500
DTSTAMP:20200103T121044Z
CREATED:20200102T094156Z
LAST-MODIFIED:20200103T121044Z
UID:21962-1575828000-1575836100@terripaddock.com
SUMMARY:Potted Panto
DESCRIPTION:Potted Panto runs at London’s Southwark Playhouse from 5 December 2019 to 11 January 2020 \nThis one will get you into the Christmas spirit\, guaranteed. I’m gearing up for the holidays with the hilarious duo of Dan & Jeff\, another in my series of post-show talks for producer James Seabright.\nSeven classic pantomimes in eighty hilarious minutes! This Christmas\, Dan and Jeff (aka Daniel Clarkson and Jefferson Turner) return for a fifth festive season of their Olivier-nominated Potted Panto\, hot on the heels of their world tour of Harry Potter parody Potted Potter. \n“So silly it’s just one long joke… featuring a 3D journey to nowhere but tear-inducing laughter” – The Guardian \n“The hordes of children fall around with delight at the mixture of sarcasm & slapstick” – The Times \nIn a madcap ride through the biggest stories and best-loved characters from the wonderful world of pantomime\, our dastardly double act dash from rubbing Aladdin’s lamp to roaming the golden streets of Dick Whittington’s London and making sure that Cinderella gets to the ball. It’s all unmissable fun\, whether you’re six or 106. \n“Full of enjoyably terrible jokes\, manic costume changes\, buckets of poo & a spirit of anarchic goodwill” – Daily Telegraph \n“A hoot of a show… Huge fun for five years & upwards” – Evening Standard \nIn addition to Potted Panto and Potted Potter\, Dan and Jeff have had hits together with Potted Pirates and Potted Sherlock. Potted Panto was nominated for Best Entertainment Show at the Olivier Awards following its West End premiere in 2010. It’s directed by Richard Hurst. \nAfter the 6pm performance on Sunday 8 December 2019\, I’ll talk to Daniel Clarkson\, Jefferson Turner and the Potted Panto creative team. Maybe we’ll get mince pies too?! Any questions? Join us!\n\nShow trailer\nDid you see Potted Panto on one of its previous West End runs? So much festive family fun!
URL:https://terripaddock.com/events/potted-panto-post-show-talk/
LOCATION:Southwark Playhouse Borough\, 77-85 Newington Causeway\, London\, SE1 6BD\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/Artwork_PottedPanto_Landscape.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191203T193000
DTEND;TZID=Europe/London:20191203T220000
DTSTAMP:20200103T121036Z
CREATED:20200102T094606Z
LAST-MODIFIED:20200103T121036Z
UID:21965-1575401400-1575410400@terripaddock.com
SUMMARY:Escape from Planet Trash
DESCRIPTION:Escape From Planet Trash runs 19 November-22 December 2019 at London’s Pleasance Theatre \nI had such a hoot last year with Sink the Pink’s full-scale theatrical debut How to Catch a Krampus\, I’m delighted to return for the second show in their Christmas trilogy\, which reunites the team behind last year’s hit.\nIt’s 2050 and in a galaxy not too far from our own\, Planet Trash is the most dangerous place in the solar system – the dumping ground for the universe. \nAs the countdown to Christmas begins\, the planet faces a new danger\, an impending solar flare that threatens to obliterate Planet Trash\, and a discarded weapon the Intergalactic Government is desperate to retrieve. All that stands between Planet Trash and complete annihilation is a crack team of unlikely queer space explorers\, and Ginger Johnson\, the last remaining resident of the doomed planet\, who is refusing to return home. \nCan they escape the planet before it explodes\, can they find the weapon and disarm it\, and will they make it home for Christmas? \nSink The Pink return to Pleasance Islington for five weeks of queer\, campy\, Christmas fun. Featuring drag queens\, comedy\, aliens\, giant space spiders\, and a live score\, Escape From Planet Trash is destined to become this year’s Christmas must-see! \nThe show is once again written and directed by Ginger Johnson and stars Johnson along with Mahatma Khandi\, Maxi More\, David Cumming\, Mairi Houston and Lavinia Co-op. \nAfter the performance of Escape From Planet Trash on Tuesday 3 December 2019\, I’ll be joined by the Sink the Pink cast. Any questions? Join us!
URL:https://terripaddock.com/events/escape-from-planet-trash-post-show-talk/
LOCATION:Pleasance Theatre\, Carpenters Mews\, North Road\, London\, N7 9EF\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/Artwork_EscapeFromPlanetTrash-notext_600x400.jpg
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