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X-WR-CALDESC:Events for Terri Paddock
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230601T200000
DTEND;TZID=Europe/London:20230601T220000
DTSTAMP:20230315T203816Z
CREATED:20230315T203723Z
LAST-MODIFIED:20230315T203816Z
UID:31071-1685649600-1685656800@terripaddock.com
SUMMARY:Under the Kundè Tree
DESCRIPTION:After One Who Wants to Cross at the Finborough in February\, I’m thrilled to chair the post-show talk for another new play care of Clarisse Makundul Productions\, Makundul’s own Under the Kundè Tree at Southwark Playhouse Borough. \nUnder the Kundè Tree is set in the 1950s during the secret Cameroonian war of independence. It follows Sara\, a young woman\, struggling to strike a balance between her heart’s desire and the pressure to fulfil traditional familial obligations. \nTackling difficult issues of colonialism\, identity and freedom\, this story explores themes of contemporary relevance\, whilst reading an overlooked and often unknown period of history. Ebenezer Bamgboye directs. \nFollowing the 8pm performance of Under the Kundè Tree on Thursday 1 June 2023\, I’ll talk to writer and producer Clarisse Makundul and the company. Any questions? Join us! \nBook tickets for Under the Kundè Tree + post-show Q&A
URL:https://terripaddock.com/events/under-the-kunde-tree/
LOCATION:Southwark Playhouse Borough\, 77-85 Newington Causeway\, London\, SE1 6BD\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2023/03/800x533_Artwork-UnderTheKundeTree.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230424T193000
DTEND;TZID=Europe/London:20230424T221500
DTSTAMP:20230312T154920Z
CREATED:20230312T154920Z
LAST-MODIFIED:20230312T154920Z
UID:31028-1682364600-1682374500@terripaddock.com
SUMMARY:Animal
DESCRIPTION:I’ll be back at London’s Park Theatre for the premiere of ANIMAL\, based on a real-life story of someone I know personally and admire immensely\, Josh Hepple. This one is really special to me. \nNeeds must. Needs lust. \nMeet David – gay\, disabled and profoundly horny. He can’t eat\, drink or shower by himself – let alone the rest. Totally inexperienced\, he embarks on a sexual and romantic odyssey\, armed with a fierce brain and impressive nudes (that he has to get someone else to take). But can David keep it casual whilst also relying on round-the-clock care? Can he manage the thrill and uncertainty of random hook-ups after a lifetime of knockbacks? \nHilarious\, challenging and heart-breaking\, ANIMAL won the inaugural Through The Mill Prize (Hope Mill Theatre supported by Jonathan Harvey) and was shortlisted in the top five for the Papatango Prize out of more than 1\,500 entries. \nIt’s written by Jon Bradfield from a story by Jon Bradfield and Josh Hepple\, directed by Bronagh Lagan\, and stars Christopher John-Slater as David. It’s co-produced by the Park Theatre and Manchester’s renowned Hope Mill Theatre. \nJon Bradfield co-wrote Above The Stag Theatre’s acclaimed series of queer adult pantomimes\, most recently Dick Whittington – A New Dick in Town (★★★★ The Guardian\, ★★★★★ The Stage)\, and he wrote Missing Alice for the BBC and Old Vic. \nJosh Hepple is an activist with severe cerebral palsy. He has a Master’s degree in law and teaches at various universities. He has been a theatre reviewer\, and is an equality trainer and a writer-journalist at The Guardian and Huffington Post. \nEveryone is welcome at any performance: it will be an environment in which people can freely express themselves and experience the show according to their needs. \nFollowing the 7.30pm performance of ANIMAL on Monday 24 April 2023\, I’ll talk to Jon Bradfield\, Josh Hepple and the company. Any questions? Join us! \nBook tickets for ANIMAL + post-show Q&A
URL:https://terripaddock.com/events/animal/
LOCATION:Park Theatre\, Clifton Terrace\, Finsbury Park\, London\, N4 3JP\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2023/03/Artwork_Animal_800x533.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230329T193000
DTEND;TZID=Europe/London:20230329T220000
DTSTAMP:20230207T182734Z
CREATED:20230207T182734Z
LAST-MODIFIED:20230207T182734Z
UID:30918-1680118200-1680127200@terripaddock.com
SUMMARY:The Way Old Friends Do
DESCRIPTION:Calling all ABBA and new writing fans! I’m delighted to return to the Park Theatre for the premiere of The Way Old Friends Do\, written by and starring Ian Hallard and directed by Mark Gatiss. \nIn the late 1980s\, two school friends from Birmingham tentatively come out to one another: one as gay\, the other as an ABBA fan. \nNearly thirty years later\, a chance meeting sets them on an exciting new path\, and they decide to form the world’s first ABBA tribute band – in drag. But can their friendship survive the tribulations of a life on the road; one full of platform boots\, fake beards and a distractingly attractive stranger? \nTender and laugh-out-loud funny in equal measures\, this heartfelt story will appeal to anyone who understands how it feels to be a fan: of ABBA or of anyone. \nThe Way Old Friends Do is written by Ian Hallard (The Boys in the Band\, Park Theatre and Scenes From An Execution; National Theatre)\, and directed by Mark Gatiss (Sherlock\, Dracula\, Doctor Who\, The League of Gentlemen). \nHallard also features in The Way Old Friends Do cast\, along with Donna Berlin\, James Bradshaw\, Sara Crowe\, Andrew Horton and Rose Shalloo – not to mention some voices you will recognise (Miriam Margolyes and Paul O’Grady). \nFollowing the 7.30pm performance of The Way Old Friends Do on Wednesday 29 March 2023\, I’ll talk to cast and creatives about putting on a brand-new play…and\, no doubt\, ABBA. Any questions? Join us! \nBook tickets for The Way Old Friends Do + post-show Q&A
URL:https://terripaddock.com/events/the-way-old-friends-do/
LOCATION:Park Theatre\, Clifton Terrace\, Finsbury Park\, London\, N4 3JP\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2023/02/800x533-Artwork-IanMark-TheWayOldFriendsDo-2023.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230312T173000
DTEND;TZID=Europe/London:20230312T200000
DTSTAMP:20230306T104032Z
CREATED:20230306T104032Z
LAST-MODIFIED:20230306T104032Z
UID:31022-1678642200-1678651200@terripaddock.com
SUMMARY:A Tailor for Ladies
DESCRIPTION:Renowned French farceur Georges Feydeau’s early 1886 comedy A Tailor for Ladies gets a rare London outing in a new modern adaptation performed by an international ensemble cast at the Cockpit Theatre. \nDr Moulineaux has a little pickle. He has spent the night out meeting his mistress and his wife has found his empty bed! \nLuckily\, he’s an incredible deceiver. But perhaps after disguising himself as a dressmaker and hurtling down into a web of lies\, the doctor might have gone too far this time. \nDirected by Lee James Broadwood\, A Tailor for Ladies is a naughty and comedic French farce translated by Penny Tomai and adapted by Tomai and Broadwood from Georges Feydeau‘s original text. \nExtravagant and camp\, it presents twentieth-century high-class society in its most self-indulgent and frivolous form. \nAll performances are performed in English and include English subtitles\, with an additional set of subtitles available in one other language per day\, from French\, Greek\, Italian\, Polish and Spanish. The comedy is produced by Broadmai Productions and presented by Medley Theatre Company. \nFollowing the 5.30pm performance on Sunday 12 March 2023 at London’s Cockpit Theatre\, I’ll talk to cast and creatives of A Tailor for Ladies. Any questions? Join us! \nBook tickets for A Tailor for Ladies + post-show Q&A
URL:https://terripaddock.com/events/a-tailor-for-ladies/
LOCATION:Cockpit Theatre\, Gateforth Street\, London\, NW8 8EH\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2023/03/Artwork-A-Tailor-for-Ladies-Poster-800x533-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230228T194500
DTEND;TZID=Europe/London:20230228T220000
DTSTAMP:20230306T102249Z
CREATED:20230102T191114Z
LAST-MODIFIED:20230306T102249Z
UID:30875-1677613500-1677621600@terripaddock.com
SUMMARY:The Walworth Farce
DESCRIPTION:What a perfect choice to launch Southwark Playhouse’s brand-new\, purpose-built venue at London’s Elephant & Castle: a revival of Enda Walsh’s acclaimed 2006 play The Walworth Farce\, set in Elephant & Castle. \n“And what news of London Town\, Paddy? This Walworth Road off the Elephant and Castle paint me a picture of this boulevard and its surrounding environs.” \nHoled up in a flat on the Walworth Road\, Sean and Blake diligently recite their father Dinny’s lines as they daily re-enact the moment they fled their home in Ireland. \nBut today’s performance is going to be different: Dinny’s got a rage on because there’s a sausage and Ryvita in place of the chicken dinner\, Sean’s head’s not been in it since he came back from Tescos\, and the three men are about to receive an unexpected visitor… \n“Brilliant and savage… a mind-blowing combination of Marx Brothers madness and exploded Irish cliché” – Scotsman \nEnda Walsh’s hilarious and shocking farce is a prescient play about how history is moulded and twisted to entrench those in power. This new revival is the first major production to take place at Southwark Playhouse Elephant\, sited\, aptly\, at the foot of the Walworth Road. \nIn line with the theatre’s ethos\, the play will be brought together by an exciting team of emerging theatre practitioners including director Nicky Allpress and designer Anisha Fields. The cast are Killian Coyle\, Daniel Skinner\, Rachelle Diedericks and Emmet Byrne. \nOne of Ireland’s leading contemporary playwrights\, Enda Walsh’s many other stage credits include the multi-award-winning Disco Pigs\, which has played all over the world\, including in the West End\, Misterman\, Chatroom\, The New Electric Ballroom\, Penelope\, Ballyturk\, Arlington\, Grief is the Thing with Feathers\, and the musicals Once and Lazarus. \nFollowing the 7.45pm performance on Tuesday 28 February 2023 at Southwark Elephant\, I’ll talk to creatives and cast of The Walworth Farce. Any questions? Join us! \nBook tickets for The Walworth Farce + post-show Q&A
URL:https://terripaddock.com/events/the-walworth-farce/
LOCATION:Southwark Elephant\, Dante Place\, 80 Newington Butts\, London\, SE11 4FL\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2023/01/Artwork1-Walworth-Farce-Southwark-Playhouse-800x533-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230220T193000
DTEND;TZID=Europe/London:20230220T221500
DTSTAMP:20230221T133742Z
CREATED:20230218T200012Z
LAST-MODIFIED:20230221T133742Z
UID:30948-1676921400-1676931300@terripaddock.com
SUMMARY:Winner's Curse
DESCRIPTION:TV and radio personality Clive Anderson stars in an interactive theatrical look at the difficult world of international relations\, written by former ambassador and Middle East peace negotiator Daniel Taub with Dan Patterson\, writer/producer on Mock The Week and The Duck House.  \nThe show continues the long-standing relationship between Clive Anderson and Dan Patterson\, who have previously worked together on shows including Whose Line Is It Anyway? and Clive Anderson Talk Back and Clive Anderson All Talk\, and sees Anderson return to Park Theatre to be directed by the theatre’s Artistic Director Jez Bond after appearing in Whodunnit [Unrehearsed] 2. \nTwo countries are locked in battle over a strip of land when a fragile ceasefire provides a chance for peace. Over the negotiating table\, cynical diplomats\, idealistic peacemakers and meddling mediators try to navigate a perilous path to agreement as the threat of continued conflict looms ever larger. \nWinner’s Curse is a brand-new show that combines humour and audience interaction to take you behind the scenes of a high-stakes international peace talk. \nFor this world premiere\, Clive is joined by a terrific cast of Winnie Arhin\, Arthur Conti\, Greg Lockett\, Michael Maloney\, Nichola McAuliffe\, and award-winning actor and founder of Northern Broadsides\, Barrie Rutter. \nFollowing the 7.30pm performance of Winner’s Curse on Monday 20 February 2023\, I’ll talk to co-writer Dan Patterson and star Clive Anderson. Any questions? Join us! \nBook tickets for Winner’s Curse + post-show Q&A
URL:https://terripaddock.com/events/winners-curse/
LOCATION:Park Theatre\, Clifton Terrace\, Finsbury Park\, London\, N4 3JP\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2023/02/Artwork-Winners-Curse-Park-Theatre-800x533-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230208T193000
DTEND;TZID=Europe/London:20230208T213000
DTSTAMP:20230209T124003Z
CREATED:20221211T161616Z
LAST-MODIFIED:20230209T124003Z
UID:30824-1675884600-1675891800@terripaddock.com
SUMMARY:One Who Wants to Cross
DESCRIPTION:I’m at London’s Finborough Theatre in February for the UK premiere of Marc-Emmanuel Soriano’s multi-award-winning French play One Who Wants to Cross (Un Qui Veut Traverser)\, directed by Alice Hamiton. \n“In the water now up to the waist\, there are some who struggle to walk\, staying upright as best they can\, holding what’s left of their belongings\, clinging to one another\, like soldiers returning from battle…” \nOne Who Wants To Cross has no identity.\nTheir nationality has little meaning. They are from a country where leaving is forbidden.\nThey could be a factory worker\, a geographer\, or a journalist.\nThey could be escaping by beach\, open sea\, desert\, or forest.\nThey are leaving everything behind them to reach the other side and make a new start over there\, risking everything – including unimaginable suffering and even death. \nBringing a contemporary human tragedy into devastating focus\, One Who Wants to Cross is a dramatic meditation on undocumented migrants\, wherever their place of origin. \nRecipient of multiple French awards (Centre National du Théâtre\, Guérande\, Influenscènes\, TAPS\, Panta Théâtre)\, Marc-Emmanuel Soriano‘s One Who Wants to Cross received its world premiere at the Théâtre du Rond-Point\, was recorded for France Culture\, and also been staged as a reading – including director Stanislas Nordey’s production at the Théâtre National de Strasbourg\, starring Emmanuelle Béart. \nThe UK premiere production is translated by Amanda Gann\, directed by acclaimed director Alice Hamilton (The Memory of Water\, The Dumb Waiter\, Every Day I Make Greatness Happen\, Thirty Christmasses\, Eventide)\, and presented by Clarisse Makundul Productions in association with Neil McPherson for the Finborough Theatre. \nFollowing the 7.30pm performance on Wednesday 8 February 2022\, I’ll talk to cast and creatives of One Who Wants to Cross. Any questions? Join us! \nBook tickets for One Who Wants to Cross + post-show Q&A
URL:https://terripaddock.com/events/one-who-wants-to-cross/
LOCATION:Finborough Theatre\, 118 Finborough Road\, London\, SW10 9ED
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2022/12/Artwork-One-Who-Wants-To-Cross-finborough-theatre-800x533-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230125T200000
DTEND;TZID=Europe/London:20230125T221500
DTSTAMP:20220923T144630Z
CREATED:20220923T143650Z
LAST-MODIFIED:20220923T144630Z
UID:30744-1674676800-1674684900@terripaddock.com
SUMMARY:Hamlet
DESCRIPTION:Hot on the heels of my post-show Q&A for Doctor Faustus\, I’m pleased to announce I’ll return to Southwark Playhouse in January to continue my long-time association with Lazarus Theatre company\, discussing their brand-new production of Shakespeare’s Hamlet. \nAbove else: To thine own self be true. \nHamlet’s father is dead\, his mother remarried to his uncle – who has just become King. \nTold through the eyes and experience of the young characters (yes\, the adults are gone) Shakespeare’s monumental play comes to the stage in this ravishing\, modern\, physical and fast-paced ensemble production. Denmark will never be the same again. \nShakespeare’s classic comes to the stage in this all-new ensemble production from Lazarus Theatre\, renowned for their powerful and modern reinventions of the classical canon\, including acclaimed productions of Shakespeare’s The Tempest\, A Midsummer Night’s Dream\, The Taming of the Shrew\, Henry V\, Troilus and Cressida\, King Lear and Coriolanus\, and\, acclaimed at Southwark Playhouse this autumn\, Marlowe’s Doctor Faustus. \nHamlet is adapted and directed by Lazarus artistic director Ricky Dukes. Suitable for ages 14+. \nFollowing the 8pm performance on Wednesday 25 January 2022\, I’ll talk to director Ricky Dukes and other Lazarus cast and creatives from the Hamlet company. Any questions? Join us! \nPraise for previous Lazarus Theatre productions: \n★★★★★ “This is a ground-breaking production from Lazarus Theatre Company” – Boyz Magazine\n★★★★★ “An unmissable theatrical vision” – Theatre T\n★★★★★ “A visionary company. Not to be missed” – Views from the Gods\n★★★★★ “A landmark production for a ground-breaking company” – Grumpy Gay Critic\n★★★★★ “Pushed the boundaries of the audience’s imagination – it swept me off my feet” – Ginger Wig & Strolling Man \nBook tickets for Hamlet + post-show Q&A
URL:https://terripaddock.com/events/hamlet/
LOCATION:Southwark Playhouse Borough\, 77-85 Newington Causeway\, London\, SE1 6BD\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2022/09/Hamlet-Lazarus-Theatre-NOTitle-800x533-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20221218T120000
DTEND;TZID=Europe/London:20221218T124500
DTSTAMP:20221204T175312Z
CREATED:20221204T175312Z
LAST-MODIFIED:20221204T175312Z
UID:30818-1671364800-1671367500@terripaddock.com
SUMMARY:Into the Night
DESCRIPTION:To celebrate the re-release of Original Theatre’s critically acclaimed\, on-demand online production of Into the Night: The Story of the Penlee lifeboat\, and to commemorate the 41st anniversary of the real-life disaster\, I’ll chair a FREE online discussion with playwright Frazer Flintham and Michael Sagar-Fenton\, Cornish author of the book on which the play is based. \n“If ever there was an example of the sea at its worst and humanity at its best\, then it is the story of the loss of the Penlee Lifeboat” – Peter Goss MBE\, Sailor and Adventurer \n40 years later\, their bravery lives on. \nOn Saturday 19 December 1981\, the Penlee lifeboat Solomon Browne\, was launched in hurricane conditions to go to the aid of the coaster Union Star\, which was being swept towards the southern coast of Cornwall. What followed ranks not only with the greatest acts of courage in the history of the RNLI (Royal National Lifeboat Institution) but with any human achievement. \nCreated in 2021 to mark 40 years since the rescue\, Into the Night is a unique theatrical experience. \nWritten by screenwriter and playwright Frazer Flintham\, adapted from Penlee RNLI volunteer and author Michael Sagar-Fenton’s 1991 book\, Penlee: The Loss of a Lifeboat\, directed by Original Theatre artistic director Alastair Whatley and produced by the team behind Birdsong Online and Apollo 13\, Into the Night is an unforgettable evening\, as people from all over the world are invited to join with a live audience to remember the courage\, dedication\, and heroism of the Penlee lifeboat crew. \nThe cast includes Hubert Burton (The Inheritance)\, Tom Chambers (Father Brown\, Holby City\, Apollo 13: The Dark Side of The Moon)\, Cornish actor Robert Duncan (Drop The Dead Donkey\, Casualty\, Twelve Angry Men)\, Madeleine Knight (Poldark)\, Robert Mountford (The Habit of Art)\, Cornish actor Susan Penhaligon (The Mousetrap\, A Fine Romance\, Emmerdale)\, Hazel Simmons and Tim Treloar (Birdsong\, The Haunting of Alice Bowles\, Bombshell). \nThe production is now available to watch worldwide on-demand from £18. \nAt noon on Sunday 18 December 2022\, as part of Original Theatre’s Original Talk Back series\, I’ll chair a Zoom discussion with playwright Frazer Flintham and book author Michael Sagar-Fenton about the real-life incident and the critically-acclaimed dramatisation that it has inspired. Register for this free\, 45-minute Zoom via Eventbrite. \nReserve a spot for this Into the Night talkback
URL:https://terripaddock.com/events/into-the-night/
LOCATION:Online
CATEGORIES:Online,Q&As
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20221213T193000
DTEND;TZID=Europe/London:20221213T213000
DTSTAMP:20221129T222810Z
CREATED:20221129T222709Z
LAST-MODIFIED:20221129T222810Z
UID:30813-1670959800-1670967000@terripaddock.com
SUMMARY:Wickies: The Vanishing Men of Eilean Mor
DESCRIPTION:After a spine-chilling post-show talk for ghost story When Darkness Falls last year\, I’m looking forward to reuniting with writer Paul Morrissey at London’s Park Theatre for his latest new thriller\, Wickies. \nWickie: n. (job-specific jargon) A lighthouse keeper\, whose responsibilities typically included the tending and trimming of wicks for the light. \nOn 26 December 1900\, a small ship was making its way to the Flannan Islands in the remote Outer Hebrides. \nIts destination was the lighthouse at Eilean Mor\, a remote island that (apart from its lighthouse keepers) was completely uninhabited. When the ship arrived on the island\, the lighthouse was unlocked and two of three oil-skinned coats belonging to the men were missing. \nThe fire was out – and had been for some days – the kitchen area had half-eaten food\, the chairs were overturned\, and the clock had stopped. More importantly\, the lighthouse lamp was out. The three men had vanished. \nWickies is based on the true story of James Ducat\, Thomas Marshall and Donald MacArthur: a supernatural thriller that seeks to unravel the enduring mystery of the Vanishing Men of Eilean Mor. It stars Ewan Stewart\, Thomas Marshall and Graeme Dalling\, directed by Shilpa T Hyland. \nFollowing the 7.30pm performance of Wickies on Tuesday 13 December 2022\, I’ll talk to writer Paul Morrissey and the cast about the process of staging one of Scotland’s most enduring real-life mysteries. Any questions? Join us! \nBook tickets for Wickies + post-show Q&A
URL:https://terripaddock.com/events/wickies-the-vanishing-men-of-eilean-mor/
LOCATION:Park Theatre\, Clifton Terrace\, Finsbury Park\, London\, N4 3JP\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2022/11/Artwork-Wickies-800x533-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20221026T193000
DTEND;TZID=Europe/London:20221026T220000
DTSTAMP:20221017T161835Z
CREATED:20221017T161702Z
LAST-MODIFIED:20221017T161835Z
UID:30753-1666812600-1666821600@terripaddock.com
SUMMARY:A Single Man
DESCRIPTION:I’m thrilled to reunite with Troupe – after events for acclaimed productions including The Sweet Science of Bruising\, Rasheeda Speaking\, Dear Brutus and The Cardinal – to chair a post-show Q&A for Simon Reade’s new adaptation of Christopher Isherwood’s 1964 novel A Single Man at London’s Park Theatre. \n“I make myself remember. I am afraid of forgetting. I will have to forget if I want to go on living.” \nCalifornia\, 1962. College professor George is grieving the death of his long-term partner Jim. As a middle-aged gay Englishman living in the Los Angeles suburbs\, he is an outsider in every way. Haunted by his past and unable to move forward\, we follow him on one very ordinary day. But for George\, this is going to be a day like no other… \nA Single Man features in The Guardian’s 100 Best Novels Written in English\, where it is described as ‘a work of compressed brilliance.’ Known to many through Tom Ford’s 2009 film\, Christopher Isherwood’s masterpiece is now given a wry and compassionate retelling in Simon Reade’s new adaptation for the stage. \nPowerful and sexy\, A Single Man is a darkly amusing study of grief\, love and loneliness from the celebrated writer of Goodbye to Berlin\, the inspiration for Cabaret. \nIn this brand-new staging\, Philip Wilson directs Theo Fraser Steele as George\, in a cast that also includes Olivia Darnley\, Freddie Gaminara\, Miles Nolan and Phoebe Pryce. \nFollowing the 7.30pm performance at the Park Theatre on Wednesday 26 October 2022\, I’ll talk to A Single Man‘s director and the cast. Any questions? Join us! \nBook tickets for A Single Man + post-show Q&A\n  \n\n 
URL:https://terripaddock.com/events/a-single-man/
LOCATION:Park Theatre\, Clifton Terrace\, Finsbury Park\, London\, N4 3JP\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2022/10/SingleMan-800x533-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20221018T193000
DTEND;TZID=Europe/London:20221018T220000
DTSTAMP:20220920T111310Z
CREATED:20220920T104630Z
LAST-MODIFIED:20220920T111310Z
UID:30739-1666121400-1666130400@terripaddock.com
SUMMARY:The Poltergeist
DESCRIPTION:After post-show Q&As for Tonight with Donnie Darko\, Vincent River\, Angry and Tender Napalm\, I’m delighted to be invited to chair another discussion with Philip Ridley\, one of the UK’s greatest and most innovative living playwrights. This time for the live stage premiere of his online lockdown hit The Poltergeist. \n‘This family! On the surface\, it’s all pretty waterlilies. But underneath… there are sharks!’ \nFrom master storyteller Philip Ridley\, the award-winning The Poltergeist makes its live stage debut at Arcola Theatre\, following a critically acclaimed streaming run at Southwark Playhouse during lockdown. \nDarkly comic and deeply compelling\, The Poltergeist is “a tour-de-force performance from Joseph Potter” (Theatre Weekly) as Sasha. \nThis one-man show is about art\, family\, memory\, and being haunted by the life we never lived. \nAt fifteen\, Sasha was called an art world prodigy. Celebrities wanted to buy his paintings. His first exhibition was going to make him a superstar. \nBut now he lives in a run-down flat\, with his out-of-work boyfriend\, and no one’s even heard of him. What went wrong? \nOne of the greatest living British writers\, Philip Ridley’s previous plays include The Fastest Clock in the Universe\, Radiant Vermin\, The Pitchfork Disney\, Tender Napalm\, Dark Vanilla Jungle\, Ghost from a Perfect Place and Mercury Fur\, as well as the screenplay for the 1990 film The Krays. \nA New York Times Critic’s Choice\, this production reunites the original company with Wiebke Green (Tarantula\, The Beast Will Rise) directing Joseph Potter. \nFollowing the 7.30pm performance on Tuesday 18 October 2022\, I’ll talk to the one-and-only Philip Ridley with The Poltergeist star Joseph Potter and director Weibke Green. Any questions? Join us! \nBook tickets for The Poltergeist + post-show Q&A
URL:https://terripaddock.com/events/the-poltergeist/
LOCATION:Arcola Theatre\, 24 Ashwin Street\, London\, E8 3DL\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2022/09/Artwork-Poltergeist-NoTitle-800x533-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220914T200000
DTEND;TZID=Europe/London:20220914T221500
DTSTAMP:20220619T175522Z
CREATED:20220619T175522Z
LAST-MODIFIED:20220619T175522Z
UID:30648-1663185600-1663193700@terripaddock.com
SUMMARY:Doctor Faustus
DESCRIPTION:I love Lazarus Theatre! My long-time association with this visionary ensemble company continues with their 2022 season\, which launches with their reinvention of Marlowe’s classic Doctor Faustus\, in a limited season at London’s Southwark Playhouse. \nEnter DEVILS. \nJohn Faustus\, in search of complete fulfillment\, sells his soul to the Devil in return for 24 years of unlimited knowledge\, power and fame. As the clock strikes 12 on his final day\, Mephistopheles enters\, repayment is due. \nChristopher Marlowe’s extraordinary\, theatrical and fantastical Doctor Faustus comes to the stage in this all-new ensemble production from Lazarus Theatre\, renowned for their powerful and modern reinventions of the classical canon\, including acclaimed productions of Marlowe’s Edward II\, Tamburlaine and Dido Queen of Carthage\, and Shakespeare’s The Tempest\, A Midsummer Night’s Dream\, The Taming of the Shrew\, Henry V\, Troilus and Cressida\, King Lear and Coriolanus. \nDoctor Faustus is adapted and directed by Lazarus artistic director Ricky Dukes and stars Jamie O’Neill\, whose many other Lazarus credits include the title role in Macbeth. Suitable for ages 12+. \nPraise for previous Lazarus Theatre productions: \n★★★★★ “This is a ground-breaking production from Lazarus Theatre Company” – Boyz Magazine\n★★★★★ “An unmissable theatrical vision” – Theatre T\n★★★★★ “A visionary company. Not to be missed” – Views from the Gods\n★★★★★ “A landmark production for a ground-breaking company” – Grumpy Gay Critic\n★★★★★ “Pushed the boundaries of the audience’s imagination – it swept me off my feet” – Ginger Wig & Strolling Man \nFollowing the 8pm performance on Wednesday 14 September 2022\, I’ll talk to director Ricky Dukes\, leading man Jamie O’Neill\, and other Lazarus cast and creatives. Any questions? Join us! \nBook tickets for Doctor Faustus + post-show Q&A
URL:https://terripaddock.com/events/doctor-faustus/
LOCATION:Southwark Playhouse Borough\, 77-85 Newington Causeway\, London\, SE1 6BD\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2022/06/Dr-Faustus-Lazarus-Theatre-800x533-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220908T193000
DTEND;TZID=Europe/London:20220908T213000
DTSTAMP:20220727T211220Z
CREATED:20220727T211034Z
LAST-MODIFIED:20220727T211220Z
UID:30659-1662665400-1662672600@terripaddock.com
SUMMARY:Flashbang
DESCRIPTION:After fascinating discussions around Feel\, At Last and Lately\, I’m back with Proforca Theatre to discuss Flashbang\, the company’s fifth new play by James Lewis\, as well as exciting new work by associate artists also programmed during the autumn season at the Lion & Unicorn Theatre. \nnoun: flashbang \n1. a grenade that produces a bright flash and a loud noise so as to stun or disorient people without causing serious injury; a stun grenade. \nRyan and his gang were going to be mates forever.\nLiving their lives in the same cycle as everyone else in a little town 20 miles from anywhere that mattered.\nLiving for the next night out. Living for the weekend. Getting into and out of trouble. Work. Pub. Sleep. Repeat. \nRyan and his gang have seen it all\, done it all\, lived it all. The nights they wished they could remember and the mornings after they’d rather forget.\nRyan and his gang were going to be mates forever.\nBut then came the night when everything changed. \nProforça Theatre Company returns with Flashbang – an exuberant\, explosive and gut-punching rollercoaster ride through the ties that bind best mates together\, a world that revolves around a town where nothing ever happens\, and what happens to those friends when that world gets blown apart. \nSam Kacher\, Emmanuel Olusanya\, Henry Brackenridge and Fred Wardale each play Ryan as well as different friends. Flashbang is written by James Lewis and directed by Proforca and Lion & Unicorn artistic director David Brady. \nFollowing the 7.30pm press night performance on Thursday 8 September 2022\, I’ll chair a discussion with the Flashbang company about the latest Proforca premiere\, followed by a celebration of other upcoming work by Lion & Unicorn associate artists. \nBook tickets for Flashbang + post-show Q&A
URL:https://terripaddock.com/events/flashbang/
LOCATION:Lion & Unicorn Theatre\, 42-44 Gaisford St\, London\, NW5 2ED\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2022/07/BackWithaBang-Flashbang-800x533-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220526T193000
DTEND;TZID=Europe/London:20220526T213000
DTSTAMP:20220522T204003Z
CREATED:20220522T204003Z
LAST-MODIFIED:20220522T204003Z
UID:30617-1653593400-1653600600@terripaddock.com
SUMMARY:The End of the Night
DESCRIPTION:What role does theatre play in exploring historical and political themes? I’ll explore with an expert panel following a performance at the Park Theatre of The End of the Night\, the new World War II-set drama based on a true story.  \nFrom the writer of the award-winning Three Days In May and A Splinter of Ice Ben Brown comes The End of the Night\, the critically acclaimed tense and absorbing new drama based on a true story. \nIn the final days of World War II\, a secret meeting takes place between a member of the World Jewish Congress and one of the most powerful Nazis in Germany – without Hitler’s knowledge. \nDr Felix Kersten\, Himmler’s trusted personal physiotherapist\, uses his unique position of influence to facilitate a meeting between the architect of The Holocaust and Swedish Jew Norbert Masur. A meeting that could turn Himmler’s thoughts away from the downfall of the Third Reich and towards a course of action that could save thousands of lives. \nWith battle lines crumbling and lives in the balance\, the two men must try to find a way to persuade Himmler to release the last surviving concentration camp prisoners contrary to Hitler’s orders that no Jew should outlast the regime. \nBen Caplan plays World Jewish Congress representative Norbert Masur alongside Richard Clothier as prominent Nazi Heinrich Himmler and Michael Lumsden as physiotherapist Felix Kersten. Completing the cast are Audrey Palmer and Olivia Bernstone. This premiere production is directed by Alan Strachan. \nFollowing the 7.30pm performance on Thursday 26 May 2022\, I’ll talk to The End of the Night playwright Ben Brown along with professor\, investigative journalist and Park Theatre trustee Kurt Barling about the role of theatre in exploring political and historical themes – with questions about the production\, the Hitlerzeit and the messages the play carries for the contemporary nature of dictatorship and power. Any questions? Join us! \nBook tickets for The End of the Night + post-show Q&A
URL:https://terripaddock.com/events/the-end-of-the-night/
LOCATION:Park Theatre\, Clifton Terrace\, Finsbury Park\, London\, N4 3JP\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2022/05/Artwork-The-End-Of-The-Night-May22-800x533-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220408T193000
DTEND;TZID=Europe/London:20220408T213000
DTSTAMP:20220305T230424Z
CREATED:20220305T230424Z
LAST-MODIFIED:20220305T230424Z
UID:30481-1649446200-1649453400@terripaddock.com
SUMMARY:Jo & Sam Find Themselves in Woking
DESCRIPTION:After my Q&A for the brilliant one-woman show Empty in Angel at the Old Red Lion Theatre last year\, I’m delighted to reunite with writer James Woolf for his new play. \nJo and Sam Find Themselves in Woking premieres at London’s Hen & Chickens Theatre in a strictly limited season from 5 to 23 April 2022. \nWhen millennials\, Jo and Sam\, meet at the Lightbox\, they find they have more to discuss than art. But will they stay together as a couple when the world around them is falling apart? Can they find meaning in Woking when it’s in such short supply everywhere else? \nJo and Sam Find Themselves in Woking is a feisty comedy that’s not afraid to tackle the topics that concern us most. It’s written by James Woolf and directed by Katherine Reilly\, reuniting after their success with Empty in Angel\, which was a finalist in two Standing Ovation Awards and received a nomination for best actor in the 2021 Offies. \nKieran Dee and Phoebe Marshall star in the Olive & Stravros Theatre production\, which has music by Edmund Jolliffe. \nFollowing the 7.30pm performance on Friday 8 April 2022\, I’ll talk to Jo and Sam Find Themselves in Woking‘s writer\, director and stars about the creative process. Any questions? Join us! \nBook tickets for Jo & Sam Find Themselves in Woking + post-show Q&A
URL:https://terripaddock.com/events/jo-sam-find-themselves-in-woking/
LOCATION:Hen & Chickens Theatre\, 109 St Paul’s Road\, London\, N1 2NA
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2022/03/Artwork-Jo-Sam-Find-Themselves-in-Woking-800x533-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220323T193000
DTEND;TZID=Europe/London:20220323T211500
DTSTAMP:20220320T214345Z
CREATED:20220320T214345Z
LAST-MODIFIED:20220320T214345Z
UID:30489-1648063800-1648070100@terripaddock.com
SUMMARY:Bacon
DESCRIPTION:Following a slew of ★★★★★ reviews\, Sophie Swithinbank’s award-winning new play Bacon has extended by a week at London’s Finborough Theatre due to popular demand – and added this unmissable post-show Q&A with the team\, chaired by yours truly. \nLondon\, present day.\nIt’s Year 10’s first day back at school. \nMark is new and too scared to make friends. Darren is out-of-control and too scary to make friends. The two need each other but neither of them would ever admit it. \nWorlds apart\, but more similar than they realise\, the pair form a complex and manipulative relationship that leads them blindly into a dangerous experiment that alters the course of both their lives. \nBacon is an unflinching and unexpectedly humorous look at masculinity\, sexuality and power\, through the dizzying lens of youth. \nFirst developed at the Soho Theatre in 2018\, Bacon won playwright Sophie Swithinbank Soho Theatre’s prestigious Tony Craze Award\, and is also currently in development for a TV adaptation with a major production company. \nThe two-hander’s premiere production is directed by Matthew Iliffe and stars Corey Montague-Sholay and William Robinson. \nFollowing the 75-minute performance at 7.30pm on Wednesday 23 March 2022\, I’ll talk to Bacon‘s writer\, director and stars about the creative process and themes raised in the play. Any questions? Join us! \nBook tickets for Bacon + post-show Q&A\n  \nCOVID SAFE: As an intimate theatre venue\, the Finborough are taking every possible precaution to ensure the safety of performers\, staff\, and audience members during the pandemic. Audience members are asked to provide a Covid pass proof of double vaccination or a negative test within the last 48 hours or evidence of infection in the past 180 days on arrival at the theatre\, in addition to wearing a face-covering throughout their visit including during the performance.
URL:https://terripaddock.com/events/bacon/
LOCATION:Finborough Theatre\, 118 Finborough Road\, London\, SW10 9ED
CATEGORIES:Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2022/03/Artwork-Bacon_800x533.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220322T193000
DTEND;TZID=Europe/London:20220322T221500
DTSTAMP:20220305T224810Z
CREATED:20220305T223528Z
LAST-MODIFIED:20220305T224810Z
UID:30477-1647977400-1647987300@terripaddock.com
SUMMARY:Tempest
DESCRIPTION:Wildcard\, the company behind the award-winning Edinburgh hit Electrolyte\, apply their signature gig-theatre style to Shakespeare’s final play for an immersive treat with Tempest at London’s Pleasance Theatre. \nBanished to a mystical island with nothing but their magical books\, Prospero waits in isolation for twelve long years. Consumed by a desire for revenge\, they forge a new life with their daughter Miranda\, slave Caliban and servant-spirit\, Ariel. \nUsing Ariel\, and all his qualities\, Prospero conducts a terrible storm to shipwreck their enemies\, stranding them in Prospero’s new kingdom. \nDivided\, lost and confused\, the group find themselves at the mercy of twisted vengeance. But will Prospero’s bitterness destroy them\, or will humanity prevail? \nUnderscored by live music\, featuring newly composed songs\, as well as Shakespearean originals\, this adrenaline-fuelled reimagining brings a fresh perspective to a timeless classic. \nAdapted and directed by James Meteyard and performed by a cast of nine actor-musicians – Alexander Bean\, Tashinga Bepete\, Ruby Crepin-Glynne\, Eleanor House\, Kate Littlewood\, Rob Meteyard\, Loren O’Dair\, Ben Simon and Gigi Zahir – with a detailed sound design that immerses the audience in a rich audio world\, this is Shakespeare like you have never experienced it before. \nFollowing the 7.30pm performance on Tuesday 22 March 2022\, I’ll talk to Tempest cast and creatives about gigging with Shakespeare. Any questions? Join us! \nBook tickets for Tempest + post-show Q&A
URL:https://terripaddock.com/events/tempest/
LOCATION:Pleasance Theatre\, Carpenters Mews\, North Road\, London\, N7 9EF\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2022/03/Artwork-Tempest-No-Text-800x533-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220215T200000
DTEND;TZID=Europe/London:20220215T220000
DTSTAMP:20220127T231428Z
CREATED:20220127T231428Z
LAST-MODIFIED:20220127T231428Z
UID:30444-1644955200-1644962400@terripaddock.com
SUMMARY:Instructions for a Teenage Armageddon
DESCRIPTION:Instructions for a Teenage Armageddon\, the sell-out solo show written and performed by Rosie Day that also spawned the non-fiction guide of the same name\, returns to London for a limited run at Southwark Playhouse.  \n“I think you can tell a lot about a person by what they choose to see in you.” \nMiss-trusted. Miss-treated. Miss you.\nWelcome to a misspent youth. \nAfter her sister’s untimely death by a Yorkshire Pudding\, a wayward teenage girl joins a scout group to help her navigate the kicks and punches of adolescence with varying degrees of success. \nInstructions for a Teenage Armageddon is a rollercoaster ride through youth. Whether you are a young person\, know a young person\, or simply were a young person once – it’s time to rip up the rule book and reconnect with your younger self. \nInstructions for a Teenage Armageddon had a sell-out run at London’s Old Red Lion Theatre in 2020. Rosie Day reprises her performance in the production directed by Georgie Staight and produced by Katy Galloway and Zoe Weldon. Recommended for ages 13+. \nFollowing the 8pm performance on Tuesday 15 February 2022\, I’ll talk to Instructions for a Teenage Armageddon writer and performer Rosie Day and director Georgie Staight. Any questions? Join us! \nBook tickets for Instructions for a Teenage Armageddon + post-show Q&A
URL:https://terripaddock.com/events/instructions-for-a-teenage-armageddon/
LOCATION:Southwark Playhouse Borough\, 77-85 Newington Causeway\, London\, SE1 6BD\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2022/01/800x533-Instructions-For-A-Teenage-Armageddon-Southwark-PlayhouseIFATA_square_imageonly.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220125T190000
DTEND;TZID=Europe/London:20220125T210000
DTSTAMP:20220104T233440Z
CREATED:20220104T232427Z
LAST-MODIFIED:20220104T233440Z
UID:30418-1643137200-1643144400@terripaddock.com
SUMMARY:Freud's Last Session
DESCRIPTION:Following my recent event for Philip Ridley’s Tender Napalm\, I return to the King’s Head Theatre for the European premiere of Mark St Germain’s award-winning Off-Broadway play Freud’s Last Session\, featuring a real-life psychiatrist playing Sigmund Freud. \nThe first of September\, 1939. Sigmund Freud\, the world-renowned psychoanalyst awaits the visit of soon-to-be-legendary Chronicles of Narnia author CS Lewis on the day that the Second World War is declared. \nLewis\, a former atheist turned Christian is expecting to be taken to task for his recent satirisation of Freud in a book. However\, the impending war and Freud’s failing health catalyses a far deeper conversation as they clash about the existence of God\, love\, sex\, and the meaning of life- only two weeks before Freud\, with his doctor’s help\, takes his own. \nKing’s Head Theatre Associate Artist Peter Darney returns to direct the UK premiere of this Off-Broadway hit. Psychiatrist turned actor Dr Julian Bird (Eastenders\, The Tudors) takes the title role opposite Sean Browne as Lewis. \nMark St Germain’s ‘riveting’\, ‘provocative’\, ‘gripping’ and ‘often comical’ play is suggested byDr Armand M Nicholi Jr’s book The Question of God: CS Lewis and Sigmund Freud Debate God\, Love\, Sex\, and the Meaning of Life. \nFollowing the 7pm performance on Tuesday 25 January 2022\, I’ll talk to Freud’s Last Session director Peter Darney and stars Julian Bird and Sean Browne about the play and the ‘juicy intellectual debate’ at its heart. Any questions? Join us! \nBook tickets for Freud’s Last Session + post-show Q&A
URL:https://terripaddock.com/events/freuds-last-session/
LOCATION:King’s Head Theatre\, 116P Upper Street\, London\, N1 1QP\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2022/01/Freuds-Last-Session_800x533_notext.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211202T193000
DTEND;TZID=Europe/London:20211202T220000
DTSTAMP:20211113T160814Z
CREATED:20211113T160547Z
LAST-MODIFIED:20211113T160814Z
UID:30256-1638473400-1638482400@terripaddock.com
SUMMARY:Dog Show
DESCRIPTION:After How to Catch a Krampus and Escape from Planet Trash\, Ginger Johnson and her merry band of drag queens return to The Pleasance with a new alternative Christmas show\, Dog Show. And I’m back for the hat-trick of Q&As. \nLive and Unleashed! In Dog Show\, join London’s sexiest mongrels at Crappersea Dog Pound as they put their best paw forward and prepare for the Annual Rehoming Show. Can these old dogs turn new tricks? Do they have star pet-tential? Or are they all just simply too ruff? \nDirtier than a Doberman and prouder than a Poodle\, this pack of queer canines will have you rolling (over) in the aisles as they do anything for appaws. But are whips and chains the only thing keeping them caged? \nThis XXX-mas\, the muzzles are off! \nDog Show is co-created and co-directed by Ginger Johnson (the twisted mind behind Sink The Pink’s Escape from Planet Trash and How To Catch A Krampus) and David Cumming (co-creator of Spitlip’s Operation Mincemeat & BAC Beatbox Academy’s Frankenstein: How To Make A Monster)\, who also appear in the show along with standout queer cabaret performers Rudy Jeevanjee\, Azara and Mahatma Khandi. \nI remember clearly when Ginger told me about the idea for Dog Show – and\, as mum to a cockapoo named Lottie\, how enthusiastically I greeted it – during our post-show Q&A for Escape from Planet Trash two years ago. I can’t wait to see the show in the furry flesh. \nFollowing the 7.30pm performance on Thursday 2 December 2021\, I’ll talk to co-creators Ginger Johnson and David Cumming and the  Dog Show company. Any questions? Join us! \nBook tickets for Dog Show + post-show Q&A
URL:https://terripaddock.com/events/dog-show/
LOCATION:Pleasance Theatre\, Carpenters Mews\, North Road\, London\, N7 9EF\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2021/11/Artwork-Dog-Show-800x533-NoTitle.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211120T193000
DTEND;TZID=Europe/London:20211120T211500
DTSTAMP:20210922T140326Z
CREATED:20210922T090756Z
LAST-MODIFIED:20210922T140326Z
UID:29915-1637436600-1637442900@terripaddock.com
SUMMARY:Empty in Angel
DESCRIPTION:Acclaimed one-woman show Empty in Angel\, which hilariously dissects the perils of the gig economy\, concludes its autumn London tour at the Old Red Lion Theatre in November. \nEmpty in Angel tells the story of a bicycle courier\, her community\, and their amazing fight for rights in the gig economy… partly in rhyming couplets. Their simple demands for fairness\, dignity and security end in a historic legal battle. \nJoin in the struggles\, laughs and the protest – help us fight for the right to be human! \nBased on actual events\, Empty in Angel was a sell-out success at south London’s White Bear Theatre in 2019 and a finalist in two categories of the Standing Ovation Awards 2020 (New Play Raising Awareness and Innovative Play). \nDarcy Willison reprises her White Bear performance in Empty in Angel‘s current tour\, which also includes London’s Etcetera\, Hen & Chickens and Bloomsbury Theatres. Katherine Reilly directs. \nLaw Society Policy Adviser James Woolf was inspired to write Empty in Angel after attending a presentation on the gig economy. The drama was written with the full knowledge\, approval and cooperation of the Independent Workers of Great Britain (IWGB)\, the trade union that supported the courier through the court case which forms the foundation for this play. Throughout the writing of the piece\, the main players in the story were available to Woolf to ensure the accuracy of the script. \nFollowing the 7.30pm performance on Saturday 20 November 2021\, I’ll talk to Empty in Angel writer James Woolf\, director Katherine Reilly and star Darcy Willison. Any questions? Join us! \nBook tickets for Empty in Angel + post-show Q&A
URL:https://terripaddock.com/events/empty-in-angel/
LOCATION:Old Red Lion Theatre\, 418 St John St\, Islington\, London\, EC1V 4NJ\, United Arab Emirates
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2021/09/Empty-in-Angel-Darcy-Willison-bus-2021.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211111T191500
DTEND;TZID=Europe/London:20211111T214500
DTSTAMP:20211107T194903Z
CREATED:20211107T194903Z
LAST-MODIFIED:20211107T194903Z
UID:30218-1636658100-1636667100@terripaddock.com
SUMMARY:Marlowe's Fate
DESCRIPTION:More than 400 years on\, the question of who was England’s greatest Elizabethan playwright\, and who actually wrote the greatest classics in the canon\, rages on in the UK premiere of Peter B Hodges’ Marlowe’s Fate at London’s White Bear Theatre. \nOne evening\, late in May 1593\, Christopher Marlowe\, poet\, playwright and spy\, died in an Inn in South East London – or did he? \nPeter B Hodges’ witty literary mystery implicates Queen Elizabeth’s spy-masters in a disappearance. This might have been the end of the story but Marlowe continued to write and needed an alias. \nEnter Shaxper into Richard Field’s print shop and the plot thickens. The arguments raged over the centuries resulting in a wild sparring match between our two protagonists\, performed by Penn O’Gara’s elegant puppets\, leading to the ultimate showdown over Marlowe’s Fate. In the end\, as the spymasters discover\, only Shaxper knows the truth. \nCaravan Theatre Company presents the UK premiere of this entertaining and intriguing story. Marlowe’s Fate\, directed by Hodges\, stars Nicholas Limm as Marlowe against Lewis Allcock as Shaxpear\, along with Susan Brooke\, Gary Dunnington\, Zoë Lambrakis\, PK Taylor and Robert Vernon. \nFollowing the 7.15pm performance on Thursday 11 November 2021\, I’ll talk to Marlowe’s Fate writer and director Peter B Hodges and the company. Any questions? Join us! \nBook tickets for Marlowe’s Fate + post-show Q&A
URL:https://terripaddock.com/events/marlowes-fate/
LOCATION:White Bear Theatre\, 138 Kennington Park Rd\, London\, SE11 4DJ\, United Kingdom
CATEGORIES:Post-show,Q&As
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211109T190000
DTEND;TZID=Europe/London:20211109T213000
DTSTAMP:20211017T163110Z
CREATED:20211002T174647Z
LAST-MODIFIED:20211017T163110Z
UID:30036-1636484400-1636493400@terripaddock.com
SUMMARY:Tender Napalm
DESCRIPTION:After post-show Q&As to Tonight with Donny Stixx\, Angry and Vincent River\, I am thrilled to get my teeth into another Philip Ridley play\, care of Lidless Theatre’s tenth-anniversary revival of Tender Napalm at the King’s Head Theatre. \n‘I could push a bullet between those lips. Gently. I wouldn’t break a single tooth‘ \nPhilip Ridley‘s seminal Tender Napalm was hailed as an instant classic when it premiered in 2011. Named Best Show by the Observer\, Guardian and Time Out\, it has since been performed worldwide. The show now makes its long-overdue return  – in a startling\, brand new production –  to surprise and seduce all over again. \nTwo lovers. A desert Island. Sea serpents. UFOs. Tsunamis. Unicorns. Atomic bombs. What is this thing…called love? \nThis tenth-anniversary production is the first London revival. It’s presented at the recommendation of Philip Ridley himself\, after seeing Lidless Theatre’s 2018 production of his play Moonfleece. It stars Moonfleece cast members Jaz Hutchins and Adeline Waby and is also directed by Max Harrison. \nFollowing the 7pm performance on Tuesday 9 November 2021\, I’ll talk to Philip Ridley and members of the Lidless team about their ongoing collaboration. Any questions? Join us! \nBook tickets for Tender Napalm + post-show Q&A
URL:https://terripaddock.com/events/tender-napalm/
LOCATION:King’s Head Theatre X\, 115 Upper Street\, London\, N1 1QN\, United Kingdom
CATEGORIES:Post-show,Q&As
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211106T193000
DTEND;TZID=Europe/London:20211106T213000
DTSTAMP:20210727T071944Z
CREATED:20210727T071944Z
LAST-MODIFIED:20210727T071944Z
UID:29646-1636227000-1636234200@terripaddock.com
SUMMARY:Doing Shakespeare
DESCRIPTION:Lockdown Zoom hit Doing Shakespeare\, one of the Northern Comedy Theatre’s multi-award-winning Doing series\, comes to hilarious life onstage\, with a London run at the Bridewell Theatre in November.  \nThe Northern Comedy Theatre has established itself as a trailblazer in the field of online theatre. With the closure of theatres in March 2020\, they quickly moved their work online\, exploiting the online platform Zoom. \nCollaborating with writer David Spicer\, they streamed 10 productions\, each one specially written for this new medium and each one pushing the boundaries of what was possible. For this work\, the company has won 6 OnComms and a special OneOff award from The Offies\, along with the SceneSaver Birthday Honours Award for Best Ensemble. \n“A clever new approach” – North West End \nTheir multi-award-winning Doing series of five original Zoom comedies launched with Doing Shakespeare\, which was followed by Doing Whodunnit\, Doing the Pub Quiz\, Doing The Book Club\, and Doing Business. \nUsing a company of six actors\, each play explored a different theme but the one thing they all had in common was their ability to make people laugh. Doing Shakespeare is now coming to life onstage and transferring to London’s Bridewell Theatre for a limited two-week season from 1 to 13 November 2021. \n“The Shakespeare mega mix we didn’t realise we needed” – Gemma Allred \nIn Doing Shakespeare\, six actors performing six different plays will do Shakespeare as Shakespeare has never been done before. As our 18 month-long Winter of Discontent draws to a close and All The World Becomes A Stage again\, come and see Confusion Make Its Masterpiece in this hilariously mad Shakespearean mash-up that will have you rolling in the aisles and the Bard turning in his grave. \n“It is hard to think of another company or venue which has done so much in such a short space of time or has provided as much fun in the process” – OffWestEnd.com \nDoing Shakespeare stars Steven Arnold\, best known for his long-running role as Ashley Peacock in Coronation Street\, for which he was nominated for Best Actor at the National Television Awards and Most Popular Actor at the British Soap Awards. Arnold is joined in the cast by Robert Stuart-Hudson\, Kathryn Chambers\, Vikki Earle\, Connor Simkins\, Natasha Agarwal and Farron Ronan. \nFollowing the 7.30pm performance on Saturday 6 November 2021\, I’ll quiz the Doing Shakespeare company and all things Bard. Any questions? Join us! \nBook tickets for Doing Shakespeare + post-show Q&A
URL:https://terripaddock.com/events/doing-shakespeare/
LOCATION:Bridewell Theatre\, 14 Bride Lane\, London\, EC4Y 8EQ\, United Kingdom
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211028T193000
DTEND;TZID=Europe/London:20211028T220000
DTSTAMP:20211002T163328Z
CREATED:20210716T091922Z
LAST-MODIFIED:20211002T163328Z
UID:29641-1635449400-1635458400@terripaddock.com
SUMMARY:Indecent Proposal
DESCRIPTION:Nineties gender-politics thriller Indecent Proposal gets a modern #MeToo makeover in a brand-new British musical – with book and lyrics by Michael Conley\, music by Dylan Schlosberg – at London’s Southwark Playhouse this autumn. \n“Everyone has their price\, Jonny. I think a million dollars is yours” \nAtlantic City. 1988: Jonny and Rebecca are very much in love and very much in debt. He’s a struggling singer-songwriter (who spends most of his time playing backup for Annie\, a singer at the Oasis Casino Hotel Resort) she works part-time at the casino and for a local charity. They struggle to make ends meet but they’re happy and that’s enough. Or is it? \nWhen wealthy stranger Larry Harris arrives in town and offers Rebecca a million dollars to spend a night with him\, will the lure of money outweigh the promise of fidelity? Will Rebecca accept Larry’s indecent proposal? Will her marriage survive if she doesn’t? Will Jonny stick around if she does? \nBased on Jack Engelhard’s 1988 novel\, which sparked a worldwide debate when it was made into the hit 1993 film starring Robert Redford\, Demi Moore and Woody Harrelson\, Indecent Proposal is a chamber musical with a dynamic and fast-paced narrative and a moving and exciting score. \nWhile staying true to the book’s setting of Atlantic City in the 1980s\, it reimagines the work through the lens of the current\, post #MeToo social and political climate\, allowing audiences to consider what they would do in a similar situation\, while they watch this couple grapple with the fallout from a stranger’s proposition. \nThis musical brings a story to the stage that\, over 30 years after the book was published\, is still painfully relevant. Speaking of the piece and its exploration of power\, fidelity\, gender politics and a woman’s sexual autonomy\, director Charlotte Westenra says: \n“I am so excited to share this beautiful\, important story that is of its time but also painfully relevant today. Like in the show\, people with influence still use it to take more than we’re sometimes willing to give. The fact that it happens all the time doesn’t make it right\, even if you agree to give it. We can’t wait for audiences to come and contribute to the conversation and ask themselves what they would do if they were to receive an indecent proposal.” \nFollowing the 7.30pm performance on Thursday 28 October 2021\, I’ll talk to cast and creatives about the 21st-century perspective on Indecent Proposal and its themes. Any questions? Join us! \nBook tickets for Indecent Proposal + post-show Q&A
URL:https://terripaddock.com/events/indecent-proposal/
LOCATION:Southwark Playhouse Borough\, 77-85 Newington Causeway\, London\, SE1 6BD\, United Kingdom
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211027T193000
DTEND;TZID=Europe/London:20211027T210000
DTSTAMP:20211002T171321Z
CREATED:20211002T171321Z
LAST-MODIFIED:20211002T171321Z
UID:30032-1635363000-1635368400@terripaddock.com
SUMMARY:Anton Chekhov's Vaudevilles
DESCRIPTION:I have huge respect for Mercurius Theatre and its artistic director Jenny Eastop\, who I conducted a Zoom Q&A with during lockdown. I can’t wait to do my make my in-person Mercurius Q&A ‘debut’ with Anton Chekhov’s Vaudevilles at the White Bear Theatre. \nTwo one-act plays and two dramatised short stories by Chekhov\, writing at the height of his inventive energy\, have been translated and adapted by one of the UK’s greatest comic writers\, Michael Frayn\, to give a feast of hilarious entertainment. \nA famous writer driven to desperate acts by an overzealous fan\, the pomposity of an Inspector General deflated by a simple cart driver\, a proposal breaking into furious argument at every turn\, and a husband never quite managing to give the speech he’s been told to – all human life is here! \nAfter 15 highly acclaimed productions and eight Offie nominations\, Mercurius returns to Anton Chekhov’s Vaudevilles\, the comedy which first launched the company in 2012\, with two sell-out\, five-star reviewed transfers. \nJenny Eastop directs  Andy Secombe\, Sam Denia and Laura Hall in this new outing of “glorious madness” (Play About Town) and “genuinely hilarious slapstick” (The Public Reviews). \nFollowing the 7.30 performance on Wednesday 27 October 2021\, I’ll talk to the Vaudevilles company about revisiting this comedy classic. Any questions? Join us! \nBook tickets for Vaudevilles + post-show Q&A
URL:https://terripaddock.com/events/anton-chekhovs-vaudevilles/
LOCATION:White Bear Theatre\, 138 Kennington Park Rd\, London\, SE11 4DJ\, United Kingdom
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211023T150000
DTEND;TZID=Europe/London:20211023T170000
DTSTAMP:20211004T222802Z
CREATED:20211004T222802Z
LAST-MODIFIED:20211004T222802Z
UID:30042-1635001200-1635008400@terripaddock.com
SUMMARY:The Tragedy of Dorian Gray
DESCRIPTION:Oscar Wilde’s classic 1890 novella is brought to theatrical life to Swinging Sixties London care of Blue Devil Theatre\, after their earlier literary page-to-stage adaptations of Apparatus and The Geminus. \nIt’s 1965\, the world has changed\, and London is swinging. In a studio in Chelsea\, a young man is about to have his portrait painted. From there\, Dorian’s story of fame\, vanity\, lust and corruption takes us on a twisted odyssey through heartbreak\, betrayal and a touch of bloody murder. \nMulti-award-winning The Tragedy of Dorian Gray\, adapted and directed by Blue Devil’s artistic director Ross Dinwiddy\, comes to London after sell-out previews in both Brighton and Hastings Fringe Festivals. This tense and compelling yet darkly humorous reimagining of Oscar Wilde’s classic tale was the winner of the OffFest Award from the Offies at Brighton Fringe 2021. \n★★★★★ “This is an excellent adaptation – it sticks a grubby fingernail into the canvas and twists into its cruel heart. Positioning Dorian Gray as the queer classic it is\, this version is harsh and uncompromising\, but also celebrates difference and freedom” – Louise Penn\, Lou Reviews \nMaximus Polling reprises his performance in the title role. The cast also features Jordan Louis\, Christopher Sherwood\, Conor Litten and Heather Alexander. \nFollowing the 3pm matinee performance on Saturday 23 October 2021\, I’ll talk to writer-director Ross Dinwiddy and the cast of The Tragedy of Dorian Gray about Oscar Wilde and more. Any questions? Join us! \nBook tickets for The Tragedy of Dorian Gray + post-show Q&A
URL:https://terripaddock.com/events/the-tragedy-of-dorian-gray/
LOCATION:Drayton Arms\, 153 Old Brompton Road\, London\, SW5 0LJ\, United Kingdom
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211001T193000
DTEND;TZID=Europe/London:20211001T221500
DTSTAMP:20210912T164510Z
CREATED:20210912T164510Z
LAST-MODIFIED:20210912T164510Z
UID:29891-1633116600-1633126500@terripaddock.com
SUMMARY:Snowflakes
DESCRIPTION:We are back on for brand-new biting black comedy Snowflakes\, for which I was originally due to chair a post-show Q&A in April 2020. The inaugural play from Dissident Theatre Company now premieres this autumn at the Old Red Lion Theatre. \n“Think of us like the active hand of impotent rage.” \nMarcus and Sarah work for a very special type of start-up. \nThey don’t have a co-working space. They don’t sell locally-sourced\, gluten-free coconut water. What they do is feed a need\, your needs. They give us the tools to help dispense with this old\, dying world. This is their world\, don’t deny your place in it… Like\, comment\, subscribe! \nMarcus is the poster boy for the company\, hand-picked by management for his commitment to the cause. Sarah has moved up from Brand Recognition. Media personality Tony is their newest project – he just doesn’t know it yet. Today\, justice isn’t blind\, it’s streamed to millions. \nThe Dumb Waiter meets Black Mirror at a WeWork. \nSnowflakes is written by Robert Boulton\, who also stars alongside Niamh Finlay and Henry Davis and who co-founded Dissident Theatre Company with director Mike Cottrell. \n\nCottrell says of Snowflakes: “We speculated that it would be fascinating to delve into the darker sides of the human experience and what we realised quickly is the frightening fact that you don’t have to delve too deep to find that in the world right now. The constant flood of doubt in our politicians\, in our media\, in our own consciences can seem overwhelming and hard to comprehend. We wanted to take that feeling and explore what lengths people will go to find meaning and to purpose in a chaotic world.” \nFollowing the 7.30pm performance on Friday 1 October 2021\, I’ll talk to Snowflakes‘ writer\, director and cast. Any questions? Join us! \nBook tickets for Snowflakes post-show Q&A
URL:https://terripaddock.com/events/snowflakes-2021/
LOCATION:Old Red Lion Theatre\, 418 St John St\, Islington\, London\, EC1V 4NJ\, United Arab Emirates
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210929T193000
DTEND;TZID=Europe/London:20210929T220000
DTSTAMP:20210912T162916Z
CREATED:20210912T162916Z
LAST-MODIFIED:20210912T162916Z
UID:29896-1632943800-1632952800@terripaddock.com
SUMMARY:The Pleasure Garden
DESCRIPTION:Wildly funny new musical The Pleasure Garden takes a peek through the bushes to discover the bawdy history of Vauxhall’s history as a hedonistic playground. It premieres at Vauxhall’s own Above the Stag Theatre\, on the edge of the park where the story is set. \nFor two centuries\, the Vauxhall Pleasure Gardens in south London drew enormous crowds for its circus acts\, balloon rides\, orchestral concerts and spectacular fireworks. For those in the know\, however\, the darker paths\, wooded corners and intimate arbours were used for more illicit and illegal entertainments. \nIn The Pleasure Garden\, it’s 1850 and the gardens are now in their dying days. Yet still the faithful come… \nTom Restless\, a handsome young gardener\, is torn between the affections of a hopelessly romantic shipping clerk and a sexually voracious aristocratic couple. With the gardens closing and his livelihood under threat\, will Tom choose a bohemian life with Ralph; employment with the unorthodox Lord and Lady Lovelock; or answer the drumbeat of a looming overseas war? \nThe Pleasure Garden is written by Glenn Chandler\, whose many hit award-winning plays include\, most recently\, Kids Play and The Good Scout\, for which I also chaired post-show talks for their London runs at Above the Stag. It has music by Charles Miller\, direction by Fenton Gray\, musical direction by Aaron Clingham\, choreography by Carole Todd\, design by David Shields and lighting by Jack Wills. \nThe cast features Sam Baumal as Tom Reckless\, Jay Worley as Ralph Pottinger\, Rory-Charlie Campbell as Lord Roger Lovelock\, Ashleigh Harvey as Lady Maude Lovelock\, Jonathan Harlaw\, Jennie Jacobs and Steve Watts. \nFollowing the 7.30pm performance on Wednesday 29 September 2021\, I’ll talk to The Pleasure Garden company about the show and the local history they have discovered. Any questions? Join us! \nBook tickets for The Pleasure Garden with post-show Q&A
URL:https://terripaddock.com/events/the-pleasure-garden-above-the-stag-theatre-post-show-talk/
LOCATION:Above the Stag Theatre\, 72 Albert Embankment\, London\, SE1 7TP\, United Kingdom
CATEGORIES:Post-show,Q&As
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