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DTSTART;TZID=Europe/London:20211202T193000
DTEND;TZID=Europe/London:20211202T220000
DTSTAMP:20211113T160814Z
CREATED:20211113T160547Z
LAST-MODIFIED:20211113T160814Z
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SUMMARY:Dog Show
DESCRIPTION:After How to Catch a Krampus and Escape from Planet Trash\, Ginger Johnson and her merry band of drag queens return to The Pleasance with a new alternative Christmas show\, Dog Show. And I’m back for the hat-trick of Q&As. \nLive and Unleashed! In Dog Show\, join London’s sexiest mongrels at Crappersea Dog Pound as they put their best paw forward and prepare for the Annual Rehoming Show. Can these old dogs turn new tricks? Do they have star pet-tential? Or are they all just simply too ruff? \nDirtier than a Doberman and prouder than a Poodle\, this pack of queer canines will have you rolling (over) in the aisles as they do anything for appaws. But are whips and chains the only thing keeping them caged? \nThis XXX-mas\, the muzzles are off! \nDog Show is co-created and co-directed by Ginger Johnson (the twisted mind behind Sink The Pink’s Escape from Planet Trash and How To Catch A Krampus) and David Cumming (co-creator of Spitlip’s Operation Mincemeat & BAC Beatbox Academy’s Frankenstein: How To Make A Monster)\, who also appear in the show along with standout queer cabaret performers Rudy Jeevanjee\, Azara and Mahatma Khandi. \nI remember clearly when Ginger told me about the idea for Dog Show – and\, as mum to a cockapoo named Lottie\, how enthusiastically I greeted it – during our post-show Q&A for Escape from Planet Trash two years ago. I can’t wait to see the show in the furry flesh. \nFollowing the 7.30pm performance on Thursday 2 December 2021\, I’ll talk to co-creators Ginger Johnson and David Cumming and the  Dog Show company. Any questions? Join us! \nBook tickets for Dog Show + post-show Q&A
URL:https://terripaddock.com/events/dog-show/
LOCATION:Pleasance Theatre\, Carpenters Mews\, North Road\, London\, N7 9EF\, United Kingdom
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211120T193000
DTEND;TZID=Europe/London:20211120T211500
DTSTAMP:20210922T140326Z
CREATED:20210922T090756Z
LAST-MODIFIED:20210922T140326Z
UID:29915-1637436600-1637442900@terripaddock.com
SUMMARY:Empty in Angel
DESCRIPTION:Acclaimed one-woman show Empty in Angel\, which hilariously dissects the perils of the gig economy\, concludes its autumn London tour at the Old Red Lion Theatre in November. \nEmpty in Angel tells the story of a bicycle courier\, her community\, and their amazing fight for rights in the gig economy… partly in rhyming couplets. Their simple demands for fairness\, dignity and security end in a historic legal battle. \nJoin in the struggles\, laughs and the protest – help us fight for the right to be human! \nBased on actual events\, Empty in Angel was a sell-out success at south London’s White Bear Theatre in 2019 and a finalist in two categories of the Standing Ovation Awards 2020 (New Play Raising Awareness and Innovative Play). \nDarcy Willison reprises her White Bear performance in Empty in Angel‘s current tour\, which also includes London’s Etcetera\, Hen & Chickens and Bloomsbury Theatres. Katherine Reilly directs. \nLaw Society Policy Adviser James Woolf was inspired to write Empty in Angel after attending a presentation on the gig economy. The drama was written with the full knowledge\, approval and cooperation of the Independent Workers of Great Britain (IWGB)\, the trade union that supported the courier through the court case which forms the foundation for this play. Throughout the writing of the piece\, the main players in the story were available to Woolf to ensure the accuracy of the script. \nFollowing the 7.30pm performance on Saturday 20 November 2021\, I’ll talk to Empty in Angel writer James Woolf\, director Katherine Reilly and star Darcy Willison. Any questions? Join us! \nBook tickets for Empty in Angel + post-show Q&A
URL:https://terripaddock.com/events/empty-in-angel/
LOCATION:Old Red Lion Theatre\, 418 St John St\, Islington\, London\, EC1V 4NJ\, United Arab Emirates
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211111T191500
DTEND;TZID=Europe/London:20211111T214500
DTSTAMP:20211107T194903Z
CREATED:20211107T194903Z
LAST-MODIFIED:20211107T194903Z
UID:30218-1636658100-1636667100@terripaddock.com
SUMMARY:Marlowe's Fate
DESCRIPTION:More than 400 years on\, the question of who was England’s greatest Elizabethan playwright\, and who actually wrote the greatest classics in the canon\, rages on in the UK premiere of Peter B Hodges’ Marlowe’s Fate at London’s White Bear Theatre. \nOne evening\, late in May 1593\, Christopher Marlowe\, poet\, playwright and spy\, died in an Inn in South East London – or did he? \nPeter B Hodges’ witty literary mystery implicates Queen Elizabeth’s spy-masters in a disappearance. This might have been the end of the story but Marlowe continued to write and needed an alias. \nEnter Shaxper into Richard Field’s print shop and the plot thickens. The arguments raged over the centuries resulting in a wild sparring match between our two protagonists\, performed by Penn O’Gara’s elegant puppets\, leading to the ultimate showdown over Marlowe’s Fate. In the end\, as the spymasters discover\, only Shaxper knows the truth. \nCaravan Theatre Company presents the UK premiere of this entertaining and intriguing story. Marlowe’s Fate\, directed by Hodges\, stars Nicholas Limm as Marlowe against Lewis Allcock as Shaxpear\, along with Susan Brooke\, Gary Dunnington\, Zoë Lambrakis\, PK Taylor and Robert Vernon. \nFollowing the 7.15pm performance on Thursday 11 November 2021\, I’ll talk to Marlowe’s Fate writer and director Peter B Hodges and the company. Any questions? Join us! \nBook tickets for Marlowe’s Fate + post-show Q&A
URL:https://terripaddock.com/events/marlowes-fate/
LOCATION:White Bear Theatre\, 138 Kennington Park Rd\, London\, SE11 4DJ\, United Kingdom
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211109T190000
DTEND;TZID=Europe/London:20211109T213000
DTSTAMP:20211017T163110Z
CREATED:20211002T174647Z
LAST-MODIFIED:20211017T163110Z
UID:30036-1636484400-1636493400@terripaddock.com
SUMMARY:Tender Napalm
DESCRIPTION:After post-show Q&As to Tonight with Donny Stixx\, Angry and Vincent River\, I am thrilled to get my teeth into another Philip Ridley play\, care of Lidless Theatre’s tenth-anniversary revival of Tender Napalm at the King’s Head Theatre. \n‘I could push a bullet between those lips. Gently. I wouldn’t break a single tooth‘ \nPhilip Ridley‘s seminal Tender Napalm was hailed as an instant classic when it premiered in 2011. Named Best Show by the Observer\, Guardian and Time Out\, it has since been performed worldwide. The show now makes its long-overdue return  – in a startling\, brand new production –  to surprise and seduce all over again. \nTwo lovers. A desert Island. Sea serpents. UFOs. Tsunamis. Unicorns. Atomic bombs. What is this thing…called love? \nThis tenth-anniversary production is the first London revival. It’s presented at the recommendation of Philip Ridley himself\, after seeing Lidless Theatre’s 2018 production of his play Moonfleece. It stars Moonfleece cast members Jaz Hutchins and Adeline Waby and is also directed by Max Harrison. \nFollowing the 7pm performance on Tuesday 9 November 2021\, I’ll talk to Philip Ridley and members of the Lidless team about their ongoing collaboration. Any questions? Join us! \nBook tickets for Tender Napalm + post-show Q&A
URL:https://terripaddock.com/events/tender-napalm/
LOCATION:King’s Head Theatre X\, 115 Upper Street\, London\, N1 1QN\, United Kingdom
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211106T193000
DTEND;TZID=Europe/London:20211106T213000
DTSTAMP:20210727T071944Z
CREATED:20210727T071944Z
LAST-MODIFIED:20210727T071944Z
UID:29646-1636227000-1636234200@terripaddock.com
SUMMARY:Doing Shakespeare
DESCRIPTION:Lockdown Zoom hit Doing Shakespeare\, one of the Northern Comedy Theatre’s multi-award-winning Doing series\, comes to hilarious life onstage\, with a London run at the Bridewell Theatre in November.  \nThe Northern Comedy Theatre has established itself as a trailblazer in the field of online theatre. With the closure of theatres in March 2020\, they quickly moved their work online\, exploiting the online platform Zoom. \nCollaborating with writer David Spicer\, they streamed 10 productions\, each one specially written for this new medium and each one pushing the boundaries of what was possible. For this work\, the company has won 6 OnComms and a special OneOff award from The Offies\, along with the SceneSaver Birthday Honours Award for Best Ensemble. \n“A clever new approach” – North West End \nTheir multi-award-winning Doing series of five original Zoom comedies launched with Doing Shakespeare\, which was followed by Doing Whodunnit\, Doing the Pub Quiz\, Doing The Book Club\, and Doing Business. \nUsing a company of six actors\, each play explored a different theme but the one thing they all had in common was their ability to make people laugh. Doing Shakespeare is now coming to life onstage and transferring to London’s Bridewell Theatre for a limited two-week season from 1 to 13 November 2021. \n“The Shakespeare mega mix we didn’t realise we needed” – Gemma Allred \nIn Doing Shakespeare\, six actors performing six different plays will do Shakespeare as Shakespeare has never been done before. As our 18 month-long Winter of Discontent draws to a close and All The World Becomes A Stage again\, come and see Confusion Make Its Masterpiece in this hilariously mad Shakespearean mash-up that will have you rolling in the aisles and the Bard turning in his grave. \n“It is hard to think of another company or venue which has done so much in such a short space of time or has provided as much fun in the process” – OffWestEnd.com \nDoing Shakespeare stars Steven Arnold\, best known for his long-running role as Ashley Peacock in Coronation Street\, for which he was nominated for Best Actor at the National Television Awards and Most Popular Actor at the British Soap Awards. Arnold is joined in the cast by Robert Stuart-Hudson\, Kathryn Chambers\, Vikki Earle\, Connor Simkins\, Natasha Agarwal and Farron Ronan. \nFollowing the 7.30pm performance on Saturday 6 November 2021\, I’ll quiz the Doing Shakespeare company and all things Bard. Any questions? Join us! \nBook tickets for Doing Shakespeare + post-show Q&A
URL:https://terripaddock.com/events/doing-shakespeare/
LOCATION:Bridewell Theatre\, 14 Bride Lane\, London\, EC4Y 8EQ\, United Kingdom
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211028T193000
DTEND;TZID=Europe/London:20211028T220000
DTSTAMP:20211002T163328Z
CREATED:20210716T091922Z
LAST-MODIFIED:20211002T163328Z
UID:29641-1635449400-1635458400@terripaddock.com
SUMMARY:Indecent Proposal
DESCRIPTION:Nineties gender-politics thriller Indecent Proposal gets a modern #MeToo makeover in a brand-new British musical – with book and lyrics by Michael Conley\, music by Dylan Schlosberg – at London’s Southwark Playhouse this autumn. \n“Everyone has their price\, Jonny. I think a million dollars is yours” \nAtlantic City. 1988: Jonny and Rebecca are very much in love and very much in debt. He’s a struggling singer-songwriter (who spends most of his time playing backup for Annie\, a singer at the Oasis Casino Hotel Resort) she works part-time at the casino and for a local charity. They struggle to make ends meet but they’re happy and that’s enough. Or is it? \nWhen wealthy stranger Larry Harris arrives in town and offers Rebecca a million dollars to spend a night with him\, will the lure of money outweigh the promise of fidelity? Will Rebecca accept Larry’s indecent proposal? Will her marriage survive if she doesn’t? Will Jonny stick around if she does? \nBased on Jack Engelhard’s 1988 novel\, which sparked a worldwide debate when it was made into the hit 1993 film starring Robert Redford\, Demi Moore and Woody Harrelson\, Indecent Proposal is a chamber musical with a dynamic and fast-paced narrative and a moving and exciting score. \nWhile staying true to the book’s setting of Atlantic City in the 1980s\, it reimagines the work through the lens of the current\, post #MeToo social and political climate\, allowing audiences to consider what they would do in a similar situation\, while they watch this couple grapple with the fallout from a stranger’s proposition. \nThis musical brings a story to the stage that\, over 30 years after the book was published\, is still painfully relevant. Speaking of the piece and its exploration of power\, fidelity\, gender politics and a woman’s sexual autonomy\, director Charlotte Westenra says: \n“I am so excited to share this beautiful\, important story that is of its time but also painfully relevant today. Like in the show\, people with influence still use it to take more than we’re sometimes willing to give. The fact that it happens all the time doesn’t make it right\, even if you agree to give it. We can’t wait for audiences to come and contribute to the conversation and ask themselves what they would do if they were to receive an indecent proposal.” \nFollowing the 7.30pm performance on Thursday 28 October 2021\, I’ll talk to cast and creatives about the 21st-century perspective on Indecent Proposal and its themes. Any questions? Join us! \nBook tickets for Indecent Proposal + post-show Q&A
URL:https://terripaddock.com/events/indecent-proposal/
LOCATION:Southwark Playhouse Borough\, 77-85 Newington Causeway\, London\, SE1 6BD\, United Kingdom
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211027T193000
DTEND;TZID=Europe/London:20211027T210000
DTSTAMP:20211002T171321Z
CREATED:20211002T171321Z
LAST-MODIFIED:20211002T171321Z
UID:30032-1635363000-1635368400@terripaddock.com
SUMMARY:Anton Chekhov's Vaudevilles
DESCRIPTION:I have huge respect for Mercurius Theatre and its artistic director Jenny Eastop\, who I conducted a Zoom Q&A with during lockdown. I can’t wait to do my make my in-person Mercurius Q&A ‘debut’ with Anton Chekhov’s Vaudevilles at the White Bear Theatre. \nTwo one-act plays and two dramatised short stories by Chekhov\, writing at the height of his inventive energy\, have been translated and adapted by one of the UK’s greatest comic writers\, Michael Frayn\, to give a feast of hilarious entertainment. \nA famous writer driven to desperate acts by an overzealous fan\, the pomposity of an Inspector General deflated by a simple cart driver\, a proposal breaking into furious argument at every turn\, and a husband never quite managing to give the speech he’s been told to – all human life is here! \nAfter 15 highly acclaimed productions and eight Offie nominations\, Mercurius returns to Anton Chekhov’s Vaudevilles\, the comedy which first launched the company in 2012\, with two sell-out\, five-star reviewed transfers. \nJenny Eastop directs  Andy Secombe\, Sam Denia and Laura Hall in this new outing of “glorious madness” (Play About Town) and “genuinely hilarious slapstick” (The Public Reviews). \nFollowing the 7.30 performance on Wednesday 27 October 2021\, I’ll talk to the Vaudevilles company about revisiting this comedy classic. Any questions? Join us! \nBook tickets for Vaudevilles + post-show Q&A
URL:https://terripaddock.com/events/anton-chekhovs-vaudevilles/
LOCATION:White Bear Theatre\, 138 Kennington Park Rd\, London\, SE11 4DJ\, United Kingdom
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211023T150000
DTEND;TZID=Europe/London:20211023T170000
DTSTAMP:20211004T222802Z
CREATED:20211004T222802Z
LAST-MODIFIED:20211004T222802Z
UID:30042-1635001200-1635008400@terripaddock.com
SUMMARY:The Tragedy of Dorian Gray
DESCRIPTION:Oscar Wilde’s classic 1890 novella is brought to theatrical life to Swinging Sixties London care of Blue Devil Theatre\, after their earlier literary page-to-stage adaptations of Apparatus and The Geminus. \nIt’s 1965\, the world has changed\, and London is swinging. In a studio in Chelsea\, a young man is about to have his portrait painted. From there\, Dorian’s story of fame\, vanity\, lust and corruption takes us on a twisted odyssey through heartbreak\, betrayal and a touch of bloody murder. \nMulti-award-winning The Tragedy of Dorian Gray\, adapted and directed by Blue Devil’s artistic director Ross Dinwiddy\, comes to London after sell-out previews in both Brighton and Hastings Fringe Festivals. This tense and compelling yet darkly humorous reimagining of Oscar Wilde’s classic tale was the winner of the OffFest Award from the Offies at Brighton Fringe 2021. \n★★★★★ “This is an excellent adaptation – it sticks a grubby fingernail into the canvas and twists into its cruel heart. Positioning Dorian Gray as the queer classic it is\, this version is harsh and uncompromising\, but also celebrates difference and freedom” – Louise Penn\, Lou Reviews \nMaximus Polling reprises his performance in the title role. The cast also features Jordan Louis\, Christopher Sherwood\, Conor Litten and Heather Alexander. \nFollowing the 3pm matinee performance on Saturday 23 October 2021\, I’ll talk to writer-director Ross Dinwiddy and the cast of The Tragedy of Dorian Gray about Oscar Wilde and more. Any questions? Join us! \nBook tickets for The Tragedy of Dorian Gray + post-show Q&A
URL:https://terripaddock.com/events/the-tragedy-of-dorian-gray/
LOCATION:Drayton Arms\, 153 Old Brompton Road\, London\, SW5 0LJ\, United Kingdom
CATEGORIES:Post-show,Q&As
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DTSTART;TZID=Europe/London:20211001T193000
DTEND;TZID=Europe/London:20211001T221500
DTSTAMP:20210912T164510Z
CREATED:20210912T164510Z
LAST-MODIFIED:20210912T164510Z
UID:29891-1633116600-1633126500@terripaddock.com
SUMMARY:Snowflakes
DESCRIPTION:We are back on for brand-new biting black comedy Snowflakes\, for which I was originally due to chair a post-show Q&A in April 2020. The inaugural play from Dissident Theatre Company now premieres this autumn at the Old Red Lion Theatre. \n“Think of us like the active hand of impotent rage.” \nMarcus and Sarah work for a very special type of start-up. \nThey don’t have a co-working space. They don’t sell locally-sourced\, gluten-free coconut water. What they do is feed a need\, your needs. They give us the tools to help dispense with this old\, dying world. This is their world\, don’t deny your place in it… Like\, comment\, subscribe! \nMarcus is the poster boy for the company\, hand-picked by management for his commitment to the cause. Sarah has moved up from Brand Recognition. Media personality Tony is their newest project – he just doesn’t know it yet. Today\, justice isn’t blind\, it’s streamed to millions. \nThe Dumb Waiter meets Black Mirror at a WeWork. \nSnowflakes is written by Robert Boulton\, who also stars alongside Niamh Finlay and Henry Davis and who co-founded Dissident Theatre Company with director Mike Cottrell. \n\nCottrell says of Snowflakes: “We speculated that it would be fascinating to delve into the darker sides of the human experience and what we realised quickly is the frightening fact that you don’t have to delve too deep to find that in the world right now. The constant flood of doubt in our politicians\, in our media\, in our own consciences can seem overwhelming and hard to comprehend. We wanted to take that feeling and explore what lengths people will go to find meaning and to purpose in a chaotic world.” \nFollowing the 7.30pm performance on Friday 1 October 2021\, I’ll talk to Snowflakes‘ writer\, director and cast. Any questions? Join us! \nBook tickets for Snowflakes post-show Q&A
URL:https://terripaddock.com/events/snowflakes-2021/
LOCATION:Old Red Lion Theatre\, 418 St John St\, Islington\, London\, EC1V 4NJ\, United Arab Emirates
CATEGORIES:Post-show,Q&As
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DTSTART;TZID=Europe/London:20210929T193000
DTEND;TZID=Europe/London:20210929T220000
DTSTAMP:20210912T162916Z
CREATED:20210912T162916Z
LAST-MODIFIED:20210912T162916Z
UID:29896-1632943800-1632952800@terripaddock.com
SUMMARY:The Pleasure Garden
DESCRIPTION:Wildly funny new musical The Pleasure Garden takes a peek through the bushes to discover the bawdy history of Vauxhall’s history as a hedonistic playground. It premieres at Vauxhall’s own Above the Stag Theatre\, on the edge of the park where the story is set. \nFor two centuries\, the Vauxhall Pleasure Gardens in south London drew enormous crowds for its circus acts\, balloon rides\, orchestral concerts and spectacular fireworks. For those in the know\, however\, the darker paths\, wooded corners and intimate arbours were used for more illicit and illegal entertainments. \nIn The Pleasure Garden\, it’s 1850 and the gardens are now in their dying days. Yet still the faithful come… \nTom Restless\, a handsome young gardener\, is torn between the affections of a hopelessly romantic shipping clerk and a sexually voracious aristocratic couple. With the gardens closing and his livelihood under threat\, will Tom choose a bohemian life with Ralph; employment with the unorthodox Lord and Lady Lovelock; or answer the drumbeat of a looming overseas war? \nThe Pleasure Garden is written by Glenn Chandler\, whose many hit award-winning plays include\, most recently\, Kids Play and The Good Scout\, for which I also chaired post-show talks for their London runs at Above the Stag. It has music by Charles Miller\, direction by Fenton Gray\, musical direction by Aaron Clingham\, choreography by Carole Todd\, design by David Shields and lighting by Jack Wills. \nThe cast features Sam Baumal as Tom Reckless\, Jay Worley as Ralph Pottinger\, Rory-Charlie Campbell as Lord Roger Lovelock\, Ashleigh Harvey as Lady Maude Lovelock\, Jonathan Harlaw\, Jennie Jacobs and Steve Watts. \nFollowing the 7.30pm performance on Wednesday 29 September 2021\, I’ll talk to The Pleasure Garden company about the show and the local history they have discovered. Any questions? Join us! \nBook tickets for The Pleasure Garden with post-show Q&A
URL:https://terripaddock.com/events/the-pleasure-garden-above-the-stag-theatre-post-show-talk/
LOCATION:Above the Stag Theatre\, 72 Albert Embankment\, London\, SE1 7TP\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2021/09/800x533-The-Pleasure-Garden-Above-The-Stag-Theatre-Character-Portraits-THE-PLEASURE-GARDEN-ENSEMBLE.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210909T193000
DTEND;TZID=Europe/London:20210909T211500
DTSTAMP:20210808T142304Z
CREATED:20210808T142304Z
LAST-MODIFIED:20210808T142304Z
UID:29690-1631215800-1631222100@terripaddock.com
SUMMARY:Lately
DESCRIPTION:Another post-lockdown Q&A reunion. After fascinating discussions around Feel and At Last\, I’m back with Proforca Theatre company to discuss Lately\, a third new play by James Lewis as well as exciting future plans for Proforca’s London home at the Lion & Unicorn Theatre. \n“You’ve never been on your own\, you always just thought you were…” \nCal & Alf. Callum & Alison. They were supposed to be part of each other’s lives forever\, if only the universe had let things happen the way they should. \nBut whoever they were before\, they’re different people now\, and the problem with living here is that it always pulls you back again\, no matter how hard you try to get away. \nThe universe that sent them spinning into freefall throws them together again when the girl who ran away comes back to find out what happened to the boy who didn’t want to leave. \nAnd the question that the universe needs to answer most of all now is: Whatever happens to those bits of us we leave behind and thought we’d lost forever? \nFollowing the 7.30pm press night performance on Thursday 9 September 2021\, I’ll chair a discussion with Lately director David Brady\, who is also artistic director of Proforca and the Lion & Unicorn Theatre\, as well as members of the company and others involved in the forthcoming season of new work. \nHow are theatremakers and theatregoers feeling about the London fringe as we emerge from the dark days of Covid closure? \nsion_button link=”https://app.lineupnow.com/event/lately-1″ text_transform=”” title=”” target=”_blank”  link_attributes=”” alignment=”center” modal=”” hide_on_mobile=”small-visibility\,medium-visibility\,large-visibility” class=”” id=”” s2id_autogen22=”” color=”custom” button_gradient_top_color=”” button_gradient_bottom_color=”” button_gradient_top_color_hover=”” button_gradient_bottom_color_hover=”” accent_color=”” accent_hover_color=”” type=”” bevel_color=”” border_width=”0″ border_radius=”” border_color=”” border_hover_color=”” size=”large” stretch=”yes” icon=”” icon_position=”left” icon_divider=”no” s2id_autogen23=”” s2id_autogen23_search=”” animation_type=”” animation_direction=”left” animation_speed=”0.3″ s2id_autogen24=”” s2id_autogen24_search=”” animation_offset=””]Book tickets for Lately + post-show Q&A[/fusion_button]
URL:https://terripaddock.com/events/lately/
LOCATION:Lion & Unicorn Theatre\, 42-44 Gaisford St\, London\, NW5 2ED\, United Kingdom
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210901T200000
DTEND;TZID=Europe/London:20210901T220000
DTSTAMP:20210710T184905Z
CREATED:20210710T184905Z
LAST-MODIFIED:20210710T184905Z
UID:29636-1630526400-1630533600@terripaddock.com
SUMMARY:Salome
DESCRIPTION:Post-lockdown\, Lazarus Theatre returns to the stage with a revival of their 2019 gender-twist version of Oscar Wilde’s Salome\, in a limited season at London’s Southwark Playhouse. Having chaired a lively discussion on this piece two years ago\, I’m delighted to reunite with Lazarus for a fresh go. \n“Salomé\, dance for me.\nI pray thee dance for me.” \nKing Herod asks Salomé\, son of the Queen to dance for him… this request leads to the Dance of the Seven Veils and one of the most shocking\, thrilling\, and scandalous climaxes ever seen on stage. \nOriginally banned in Britain\, Oscar Wilde’s outrageously provocative Salomé comes to Southwark Playhouse after a ★★★★★ run at Greenwich Theatre in 2019. Lazarus’ production is adapted and directed by artistic director Ricky Dukes and designed by Sorcha Corcoran\, with a cast including Jamie O’Neill\, Prince Plockey and Fred Thomas. \nSalomé is suitable for ages 16+\, contains full male nudity\, gunshots and scenes of a sexual nature. Originally produced in association with Greenwich Theatre. \n★★★★★ “Marvellous\, riveting ‘no holds barred’ production” – Boyz Magazine\n★★★★★ “An unmissable theatrical vision” – Theatre T\n★★★★ “Tasteful yet shocking\, seductive\, and repulsive all at once” – Theatre Weekly\n★★★★ “Visually arresting and powerful” – Queer Guru\n★★★★ “A sumptuously stylish and intense production… Deliciously toxic” – FairyPowered Productions \nFollowing the 8pm performance on Wednesday 1 September 2021\, I’ll talk to director Ricky Dukes and a panel of guests about the play and its themes\, including “gay icons”. Any questions? Join us! \nBook tickets for Salome + post-show Q&A
URL:https://terripaddock.com/events/salome/
LOCATION:Southwark Playhouse Borough\, 77-85 Newington Causeway\, London\, SE1 6BD\, United Kingdom
CATEGORIES:Panel debate,Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210821T193000
DTEND;TZID=Europe/London:20210821T213000
DTSTAMP:20210819T175419Z
CREATED:20210819T174741Z
LAST-MODIFIED:20210819T175419Z
UID:29723-1629574200-1629581400@terripaddock.com
SUMMARY:When Darkness Falls
DESCRIPTION:When Darkness Falls is the brand-new\, spine-chilling ghost story that delivers a twisted\, terrifying and thrilling tale that will haunt you forever. If you jumped at The Woman in Black\, this is one for you! \nSet on the island of Guernsey\, When Darkness Falls tells the story of a teacher who runs the local Historical Society. Tonight\, as part of the weekly Vlog\, a young paranormal expert is giving a talk on the island’s incredible folklore and paranormal history. \nAs the teacher films\, the speaker regales horrifying stories. Stories that can only occur on a small\, isolated island. Tonight\, the teacher will learn exactly what happens when the wind blows\, the seas swell and darkness falls. \nBased on true events\, this powerful new play by James Milton and Paul Morrissey draws us into dark pasts\, revealing disturbing truths and unforgettable terrors that never die. \nWill Barton\, who previously had a hit at the Park in The Last Temptation of Boris Johnson\, and Alex Phelps star\, directed by Paul Morrissey. \nFollowing the 90-minute\, 7.30pm performance this Saturday 21 August 2021\, I’ll talk to the When Darkness Falls cast and creatives about what haunts them… and the creative process. Any questions? Join us! \nBook tickets for When Darkness Falls + post-show Q&A
URL:https://terripaddock.com/events/when-darkness-falls/
LOCATION:Park Theatre\, Clifton Terrace\, Finsbury Park\, London\, N4 3JP\, United Kingdom
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200630T193000
DTEND;TZID=Europe/London:20200630T221500
DTSTAMP:20200327T122059Z
CREATED:20200101T064722Z
LAST-MODIFIED:20200327T122059Z
UID:21910-1593545400-1593555300@terripaddock.com
SUMMARY:Peter Pan (cancelled)
DESCRIPTION:After 2019 season productions of The Tempest\, Lord of the Flies and Salome\, I’m delighted to reunite with Lazarus Theatre to chair a series of post-show debates with the company for their 2020 residency at Greenwich Theatre: Shakespeare’s Macbeth\, Ibsen’s Hedda Gabler and JM Barrie’s Peter Pan.\n“Second to the right and straight on ’til morning.”\n\n\n\n\nOne ordinary evening turns into one extraordinary adventure… Peter Pan\, the boy who wouldn’t grow up\, flies into Greenwich Theatre in this all-new ensemble version of JM Barrie’s much-loved classic\, adapted and directed by Ricky Dukes. \nJoin the Darling children as they travel on an awfully big adventure to the Never Land\, featuring puppetry\, movement and song. \nSuitable for all brave adventurers aged six and upwards\, this promises to be an extraordinary theatrical event. Peter Pan is the third production in Lazarus Theatre’s third year-long residency at Greenwich Theatre. \n\n\n\n\n\n\n\nPeter Pan is produced in association with The Greenwich Theatre and is part of our Greenwich Made / Greenwich Played residency. Presented by arrangement with Great Ormond Street Hospital Charity and Samuel French Limited a Concord Theatricals Company.\n\n\n\nFor the Q&A after the 7.30pm performance of Peter Pan on Tuesday 30 June 2019\, I’ll be joined by artistic director Ricky Dukes\, the company and guests. Any questions? Join us!
URL:https://terripaddock.com/events/peterpanqa/
LOCATION:Greenwich Theatre\, Crooms Hill\, London\, SE10 8ES\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/Peter-Pan-Holding-Image-Lazarus-Theatre-Company.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200615T193000
DTEND;TZID=Europe/London:20200615T213000
DTSTAMP:20200327T122048Z
CREATED:20200221T185532Z
LAST-MODIFIED:20200327T122048Z
UID:27630-1592249400-1592256600@terripaddock.com
SUMMARY:Indecent Proposal (postponed)
DESCRIPTION:Nineties gender-politics thriller Indecent Proposal gets a modern #MeToo makeover in a brand-new British musical – with book and lyrics by Michael Conley\, music by Dylan Schlosberg – at London’s Southwark Playhouse in June. \n“Everyone has their price\, Jonny. I think a million dollars is yours” \nAtlantic City. 1988: Jonny and Rebecca are very much in love and very much in debt. He’s a struggling singer-songwriter (who spends most of his time playing backup for Annie\, a singer at the Oasis Casino Hotel Resort) she works part-time at the casino and for a local charity. They struggle to make ends meet but they’re happy and that’s enough. Or is it? \nWhen wealthy stranger Larry Harris arrives in town and offers Rebecca a million dollars to spend a night with him\, will the lure of money outweigh the promise of fidelity? Will Rebecca accept Larry’s indecent proposal? Will her marriage survive if she doesn’t? Will Jonny stick around if she does? \nBased on Jack Engelhard’s 1988 novel\, which sparked a worldwide debate when it was made into the hit 1993 film starring Robert Redford\, Demi Moore and Woody Harrelson\, Indecent Proposal is a chamber musical with a dynamic and fast-paced narrative and a moving and exciting score. \nWhile staying true to book’s setting of Atlantic City in the 1980s\, it reimagines the work through the lens of the current\, post #MeToo social and political climate\, allowing audiences to consider what they would do in a similar situation\, while they watch this couple grapple with the fallout from a stranger’s proposition. \nThis musical brings a story to the stage that\, over 30 years after the book was published\, is still painfully relevant. Speaking of the piece and its exploration of power\, fidelity\, gender politics and a woman’s sexual autonomy\, director Charlotte Westenra says: \n“I am so excited to share this beautiful\, important story that is of its time but also painfully relevant today. Like in the show\, people with influence still use it to take more than we’re sometimes willing to give. The fact that it happens all the time doesn’t make it right\, even if you agree to give it. We can’t wait for audiences to come and contribute to the conversation and ask themselves what they would do if they were to receive an indecent proposal.” \nFollowing the 7.30pm performance on Monday 15 June 2020\, I’ll talk to cast and creatives about the 21st-century perspective on Indecent Proposal and its themes. Any questions? Join us! \nBook tickets for Indecent Proposal post-show Q&A
URL:https://terripaddock.com/events/indecent-proposal-musical-southwark-playhouse-post-show-talk/
LOCATION:Southwark Playhouse Borough\, 77-85 Newington Causeway\, London\, SE1 6BD\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/02/Artwork-Indecent-Proposal-musical-NOwords-2020-600.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200521T194500
DTEND;TZID=Europe/London:20200521T221500
DTSTAMP:20200327T122037Z
CREATED:20200303T144938Z
LAST-MODIFIED:20200327T122037Z
UID:27717-1590090300-1590099300@terripaddock.com
SUMMARY:The Psychic Project (postponed)
DESCRIPTION:If you love Derren Brown\, and magic and mind-reading generally\, The Psychic Project\, David Narayan’s show based on the true story of the Cold War’s psychic spies\, is a must-see.  \nIn 1972\, the Cold War took an unusual turn. The CIA learnt that Russia was investing in mind-control research and achieving some remarkable results. \nNot wanting to be left behind\, US scientists began a secret project to train civilians as psychic spies: stealing secrets\, manipulating memories and finding out if thoughts can kill. \n\nDrawing on 100\,000 pages of declassified documents\, David Narayan attempts the CIA’s experiments\, seeing if a modern audience can use the same techniques in his spine-tingling show The Psychic Project. \n★★★★ – DesignMyNight \n“Fascinating” – World Magic Review \n“As disturbing as it is astonishing” – Oxford Times \nFollowing the 7.30pm performance of The Psychic Project on Thursday 21 May 2020\, I’ll chair a post-show discussion with David Narayan and\, via video link from the US\, Paul H Smith\, one of the original psychic spies who continues to train people in remote viewing techniques. Smith is the author of The Essential Guide to Remote Viewing and Reading the Enemy’s Mind. \n Do you have any questions? Of course you do! Join us! \nBook tickets for The Psychic Project with post-show Q&A
URL:https://terripaddock.com/events/psychic-project-vaults-post-show-talk/
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/03/ProdShot-Psychic-Project-glass-e1583246704823.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200519T194500
DTEND;TZID=Europe/London:20200519T221500
DTSTAMP:20200327T122104Z
CREATED:20200303T142356Z
LAST-MODIFIED:20200327T122104Z
UID:27714-1589917500-1589926500@terripaddock.com
SUMMARY:Angels of the North (cancelled)
DESCRIPTION:The world premiere of Angels of the North\, the new comedy by John Godber (Bouncers\, Up ‘n’ Under)\, is set around the 2019 general election as the Labour Party’s ‘red wall’ collapsed. I’ll chair a Q&A with Godber and guests as part of a fundraising evening for the National Youth Arts Trust charity. \nDennis and Mick are the worst taxi drivers in the North; ignorant\, offensive and rude! But when longstanding owner Val suddenly dies\, they have to deal with her savvy\, streetwise\, tourism guru of a niece; feisty new graduate Roxy\, who takes over the running of the firm. \nSet before\, during and after the General Election on 12 December 2019\, Angels of the North is a hilarious and touching insight into what it means to the North now the red wall has fallen\, seen through the eyes of a struggling taxi firm at the end of the line. Dennis and Mick might be the worst taxi drivers on the planet\, but they know what it takes to survive. Roxy might be a thorn in their side\, but she may well just be an angel in disguise. \n\nAuthor John Godber plays Dennis\, and is joined on stage by his former student Adrian Hood and his daughter Martha Godber\, who recently graduated from LIPA. Angels of the North was written as a companion piece to hit Scary Bikers\, which transferred to Trafalgar Studios last year. \nCommenting on his latest West End transfer\, John Godber said: \n“The response to Scary Bikers in London was wonderful\, enjoying both critical and audience acclaim\, and we look forward to taking this new authentic slice of Yorkshire life back into the West End.” \nThe performance of Angels of the North of Tuesday 19 May 2020 is held in aid of The National Youth Arts Trust\, a charity founded by director Fiona Laird that helps provide access to the performing arts for young people from non-privileged backgrounds. After the show\, I’ll be joined by John Godber and special guests to discuss themes raised in the play. Any questions? Join us! \nBook tickets for Angels of the North with post-show Q&A
URL:https://terripaddock.com/events/angels-of-the-north-trafalgar-studios-post-show-talk/
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/03/Artwork-Angels-Of-The-North-NOtext-800x533-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200417T193000
DTEND;TZID=Europe/London:20200417T213000
DTSTAMP:20200327T122023Z
CREATED:20200313T174646Z
LAST-MODIFIED:20200327T122023Z
UID:27827-1587151800-1587159000@terripaddock.com
SUMMARY:#MR.SIMONSAID (cancelled)
DESCRIPTION:Thomas Holloway’s #MR.SIMONSAID – an ‘unsettlingly well-observed’\, yet darkly humorous\, exploration into the greyer areas of sexual harassment – gets its London premiere at Tristan Bates Theatre. I’ll chair a press night post-show Q&A. \nBill\, a timid yet ambitious young graduate\, reluctantly agrees to go over to his persistent new boss’s apartment one weekend\, thinking they are meeting for a game of squash. Mr Simon’s manipulative behaviour\, however\, soon causes Bill to realise that the invitation was not as innocent as he’d hoped. Bill attempts to make a polite departure\, but unfortunately\, events take a disastrous turn… \nBill\, now terrified\, solicits the help of his childhood friend\, who he hasn’t seen since they awkwardly got together some months ago. When Mr Simon’s supposedly ‘dead ex-boyfriend’ turns up\, both Bill and Daffy find themselves complicit in the ordeal and we see how vulnerable people’s lives can be forever ruined by those in positions of power. \nIn addition to writing #MR.SIMONSAID\, Thomas Holloway leads the cast as Bill. He’s joined by David Kerby-Kendall (Mr Simon)\, Billie Hamer (Daffy) and Sid Akbar Ali (Arnold). Steven Kunis directs. \nFollowing the 7.30pm performance on Friday 17 April 2020\, I’ll talk to writer Thomas Holloway and the company about the play and its themes. Any questions? Join us! \nBook tickets for #Mr.SimonSaid with post-show Q&A
URL:https://terripaddock.com/events/mr-simon-said-tristan-bates-theatre-post-show-talk/
LOCATION:Tristan Bates Theatre\, 1A Tower Street\, London\, WC2H 9NP\, United Kingdom
CATEGORIES:Post-show,Q&As
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200415T193000
DTEND;TZID=Europe/London:20200415T220000
DTSTAMP:20200327T122014Z
CREATED:20200127T172143Z
LAST-MODIFIED:20200327T122014Z
UID:27152-1586979000-1586988000@terripaddock.com
SUMMARY:The Kite Runner (cancelled)
DESCRIPTION:After two acclaimed West End seasons\, The Kite Runner\, an outstanding and unforgettable theatrical tour de force\, embarks on a new UK tour\, including a week at Churchill Theatre\, Bromley from 14-18 April 2020. \nBased on Khaled Hosseini’s international bestselling novel\, this haunting tale of friendship spans cultures and continents and follows one man’s journey to confront his past and find redemption. \n“There is a way to be good again” \nAfghanistan is a country on the verge of war and best friends are about to be torn apart. It’s a beautiful afternoon in Kabul\, the skies are full of colour and the streets are full of the excitement of a kite flying tournament\, but no one can foresee the terrible incident that will shatter their lives forever. \nSeveral of the West End cast reprise their performances in The Kite Runner\, including David Ahmed in the central role of Amir\, Andrei Costin\, Liza Zahra and Bhavin Bhatt as bad boy Assef\, a role that led to him being named Best Newcomer at the Asian Media Awards.\n\n\n\nThe Kite Runner\, published in 2003\, was Khaled Hosseini’s first novel. It became an instant bestseller across the globe and has since been published in 70 countries\, selling 31.5 million copies in 60 languages. It has been adapted for the stage by Matthew Spangler and directed by Giles Croft\, originally seen at Nottingham Playhouse. The tour is produced by Martin Dodd for UK Productions and Derek Nicol & Paul Walden for Flying Entertainment. \nFollowing the 7.30pm of The Kite Runner at Bromley’s Churchill Theatre on Wednesday 15 April 2020\, I’ll chair a post-show discussion with the company. Any questions? Join us! \nBook tickets for The Kite Runner + Q&A at the Churchill Theatre\, Bromley
URL:https://terripaddock.com/events/the-kite-runner-churchill-theatre-post-show-talk/
LOCATION:Churchill Theatre\, High Street\, Bromley\, BR1 1HA\, United Kingdom
CATEGORIES:Post-show,Q&As
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200408T194500
DTEND;TZID=Europe/London:20200408T221500
DTSTAMP:20200327T122006Z
CREATED:20200101T075611Z
LAST-MODIFIED:20200327T122006Z
UID:21914-1586375100-1586384100@terripaddock.com
SUMMARY:Never Not Once (cancelled)
DESCRIPTION:After my 2019 event to Katharine Farmer’s revival of 1980s Wall Street satire Other People’s Money\, I’m delighted to reunite with the director on another serving of American theatre\, this time the UK premiere of an award-winning new play\, Carey Crim’s Never Not Once.\nA poignant new drama about the families we choose and the secrets that can pull them apart. \nIn Never Not Once\, all-American college student Eleanor wants to know who her father is. Her two mums can’t agree. But everything changes when Eleanor’s boyfriend Rob hires a private investigator to find her biological father. The family are forced to confront an unexpected and explosive answer to the question: “Where do I come from?” \nWritten by young American playwright Carey Crim\, Never Not Once won the 2017 Jane Chambers Playwriting Award and was a finalist for the 2018 Eugene O’Neill Award. Crim’s other plays include Conviction\, Paint Night\, Growing Pretty\, Wake and Some Couples May. Her work has been produced and workshopped at theatres across the United States. \n“With a multi-racial cast of well-defined characters\, complex development\, and a nuanced lens on sexuality\, non-traditional family and taking responsibility\, this play is theatrically satisfying and socially urgent” – Jane Chambers Award committee \nThe UK premiere production of Never Not Once is directed by Katharine Farmer and presented by Blue Touch Paper Productions in association with Park Theatre. Casting and further creatives is still to be announced. \nAfter the 7.45pm performance of Never Not Once on Wednesday 8 April 2020\, I’ll be joined by director Katharine Farmer and the members of the company. Any questions? Join us!
URL:https://terripaddock.com/events/never-not-once-park-theatre-post-show-talk/
LOCATION:Park Theatre\, Clifton Terrace\, Finsbury Park\, London\, N4 3JP\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/Artwork_NeverNotOnce.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200406T190000
DTEND;TZID=Europe/London:20200406T213000
DTSTAMP:20200327T121938Z
CREATED:20200304T185156Z
LAST-MODIFIED:20200327T121938Z
UID:27749-1586199600-1586208600@terripaddock.com
SUMMARY:CASES (cancelled)
DESCRIPTION:A West End cast bring acclaimed new British musical CASES to life\, with an updated score and new songs\, in an intimate staging at The Other Palace for a limited season. \nCASES is a new musical exploring the triumphs\, heartbreaks and sacrifices involved in the pursuit of art where the commercial world collides with the underground and fame becomes a high price to pay. \nRelationships change\, partnerships rearrange and ideas exchange. The musical depicts the ultimate fight for creative freedom\, providing a voice for artists\, performers and creatives alike who lose financial security during the establishing of a career. \nComprised of “terrific numbers” and “marvellous compositions” (British Theatre)\, CASES is created by Royal Central School of Speech and Drama and BRIT School graduated writer and composer Dominic Powell. The show premiered at the Phoenix Arts Club in 2017\, co-produced by Michael Auger of Britain’s Got Talent winning group Collabro. \nThis new run at The Other Palace features additional songs performed by a West End cast including Olivier nominee Maiya Quansah-Breed (Six)\, Sabrina Aloueche (Les Miserables\, We Will Rock You\, Chess\, Starlight Express)\, Andrew Patrick-Walker (Brooklyn\, Bat Out of Hell) and Adrian Hansel (Ain’t Misbehavin\, Five Guys Named Moe\, Hairspray\, Fame). \nFollowing the 80-minute performance at 7pm on Monday 6 April 2020\, I’ll be joined by Dominic Powell and the CASES and its themes. Any questions? Join us! \nBook tickets for CASES with post-show Q&A
URL:https://terripaddock.com/events/cases-other-palace-post-show-talk/
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/03/Cases-group-shot-2.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200404T150000
DTEND;TZID=Europe/London:20200404T171500
DTSTAMP:20200327T121915Z
CREATED:20200226T001029Z
LAST-MODIFIED:20200327T121915Z
UID:27634-1586012400-1586020500@terripaddock.com
SUMMARY:Snowflakes (cancelled)
DESCRIPTION:After the Old Red Lion Triptych in March\, I’ll return to the Islington venue for the world premiere of this darkest of modern comedies\, the inaugural production from Dissident Theatre Company. \n“Think of us like the active hand of impotent rage.” \nMarcus and Sarah work for a start-up\, a very special start-up. \nHow far would you go to right a wrong? Snowflakes takes Cancel Culture a little literally to question ideas of morality\, revenge and justice with gleeful\, violent abandon. Combining the technological nihilism of Black Mirror with the dark comedy and horror of Inside No. 9\, it lacerates modern outrage and trial by social media. \nMarcus and Sarah work for a very special start-up. They do the job that so many people call out for in the comments section so outsource your rage\, disgust and vitriol and let’s get to the truth before the media storm blows over. They may not be based in a co-working space but they do have an app: Justice isn’t blind\, it’s streamed to millions. \nDon’t forget to like\, comment\, subscribe! \nSnowflakes is written by Robert Boulton\, who also stars alongside Niamh Finlay and John MacCormick and who co-founded Dissident Theatre Company with director Mike Cottrell. \n\nCottrell says of Snowflakes: “We speculated that it would be fascinating to delve into the darker sides of the human experience and what we realised quickly is the frightening fact that you don’t have to delve too deep to find that in the world right now. The constant flood of doubt in our politicians\, in our media\, in our own consciences can seem overwhelming and hard to comprehend. We wanted to take that feeling and explore what lengths people will go to find meaning and to purpose in a chaotic world.” \nFollowing the 3pm matinee on Saturday 4 April 2020\, I’ll talk Snowflakes‘ writer\, director and cast. Any questions? Join us! \nBook tickets for Snowflakes post-show Q&A
URL:https://terripaddock.com/events/snowflakes-old-red-lion-theatre-post-show-talk/
LOCATION:Old Red Lion Theatre\, 418 St John St\, Islington\, London\, EC1V 4NJ\, United Arab Emirates
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/02/Publicity_Snowflakes-e1582675993278.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200331T193000
DTEND;TZID=Europe/London:20200331T203000
DTSTAMP:20200327T121905Z
CREATED:20200102T081201Z
LAST-MODIFIED:20200327T121905Z
UID:21918-1585683000-1585686600@terripaddock.com
SUMMARY:Hedda Gabler (cancelled)
DESCRIPTION:After 2019 season productions of The Tempest\, Lord of the Flies and Salome\, I’m delighted to reunite with Lazarus Theatre to chair a series of post-show debates with the company for their 2020 residency at Greenwich Theatre: Shakespeare’s Macbeth\, Ibsen’s Hedda Gabler and JM Barrie’s Peter Pan. \n\n“Well\, I shall have one thing at least to kill time with in the meanwhile. My pistols\, George.” \n\nIntelligent and ambitious Hedda is newly married and suffocating. Her pursuit of her own identity and survival leads to one of the most dramatic climaxes in stage history. \nIbsen’s searing masterpiece Hedda Gabler comes to the stage in this blistering new version adapted by Lazarus Associate Director Sara Reimers. \nThis ensemble production features as the second production in our third year-long residency at Greenwich Theatre. Hedda Gabler is produced in association with The Greenwich Theatre and is part of our Greenwich Made / Greenwich Played residency. \nNote: This production is suitable for patrons aged 14 plus. Contains haze\, gunshots and scenes of a violent nature. \nFor the Q&A after the 7.30pm performance of Hedda Gabler on Tuesday 31 March 2019\, I’ll be joined by adapter Sara Reimers\, the company and guests. Any questions? Join us!
URL:https://terripaddock.com/events/heddagablerqa/
LOCATION:Greenwich Theatre\, Crooms Hill\, London\, SE10 8ES\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/HEDDA-1-TITLE-WIDESCREEN-WHITE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200327T194500
DTEND;TZID=Europe/London:20200327T213000
DTSTAMP:20200327T121928Z
CREATED:20200302T173642Z
LAST-MODIFIED:20200327T121928Z
UID:27707-1585338300-1585344600@terripaddock.com
SUMMARY:In Search of a White Identity (postponed)
DESCRIPTION:As part of the industry-invite\, opening night performance of In Search of a White Identity\, the first new play developed and produced in association with The Actors Centre\, I’ll chair a discussion about both the play and the theatre’s future plans. \nMickey\, Patrick and Mo are three men of different cultures who are forced to face each other and their divergent political beliefs head-on when they find themselves held in a police cell. Patrick and Mickey grew up together\, so why have they been arrested on opposing sides of an English Defence League march? And why have they been put in a cell with Muslim Mo? \nIn Search of a White Identity is an urgent piece of new writing explores race\, class and masculinity through the prism of detainment. The premiere production is directed by Victoria Evaristo and stars author Cliffordkuju Henry as Patrick alongside Drew Edwards as Mickey and Ali Zaidi as Mo. \nWriter-performer Cliffordkuju Henry said: \n“This project for me is about having a dialogue around working-class relationships\, and illuminating the obstacles that get in the way of us relating to each other.” \nThe Actors Centre recently announced that its John Thaw Studio will become a home for new writing\, offering year-round development opportunities for artists\, opening doors for creativity and the future of important works and leading to possible runs at the Centre’s Tristan Bates Theatre. In Search of a White Identity\, which was originally performed as a work-in-progress during The Actors Centre’s 2019 Working Class Season\, is the first production to make this jump\, having been developed and now produced by Toad in the Hole Theatre Company in association with The Actors Centre. \nOther programming changes planned at The Actors Centre include longer\, four-week runs for productions in the Tristan Bates Theatre from October 2020. \nFollowing the 7.45pm performance on Friday 27 March 2020\, I’ll talk Cliffordkuju Henry and the company of In Search of a White Identity as well as The Actors Centre team to discuss the production and future plans for the theatre. Any questions? Join us! \nBook tickets for In Search of a White Identity with post-show Q&A
URL:https://terripaddock.com/events/in-search-of-a-white-identity-tristan-bates-theatre-post-show-talk/
LOCATION:Tristan Bates Theatre\, 1A Tower Street\, London\, WC2H 9NP\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/03/Artwork-In-Search-Of-A-White-Identity-Tristan-Bates-Theatre-NOText-800.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200326T193000
DTEND;TZID=Europe/London:20200326T220000
DTSTAMP:20200327T121846Z
CREATED:20200309T160523Z
LAST-MODIFIED:20200327T121846Z
UID:27792-1585251000-1585260000@terripaddock.com
SUMMARY:Vanya and Sonia and Masha and Spike (cancelled)
DESCRIPTION:Two-time Olivier Award winner Janie Dee reprises her modern Chekhovian comic creation in the London premiere of the Tony Award-winning Best New Play\, helmed by legendary Broadway director Walter Bobbie. \nVanya and his sister Sonia live a quiet life in the Pennsylvania farmhouse where they grew up. But their sister Masha (Janie Dee) escaped many years ago and became a famous movie star. Masha returns unannounced with her twenty-something toyboy Spike\, and so begins a very peculiar weekend. \nChristopher Durang’s irresistible comedy is one of the most lauded Broadway plays of recent years. Vanya and Sonia and Masha and Spike blends Chekhov’s famous ennui with the modern-day concerns of celebrity\, social networking\, planetary upheaval and the troubling onset of middle age\, into a beloved comedy. \n“Wacky & ingenious” – The Stage \nAfter initial runs at Princeton’s McCarter Theatre and Off-Broadway\, the Broadway production\, which starred David Hyde-Pierce and Sigourney Weaver\, opened in 2013 and went on to win the Tony Award for Best New Play. The play had its UK premiere at Theatre Royal Bath last year\, led by Janie Dee. \nDee is joined in the London run by Vincent Franklin\, Rebecca Lacey\, Michelle Asante\, Charlie Maher and Lukwesa Mwamba. The production is directed by Walter Bobbie\, whose myriad New York productions include Footloose\, Twentieth Century\, Sweet Charity\, High Fidelity and the iconic Chicago. \nFollowing the 7.30pm performance on Thursday 26 March 2020\, I’ll talk to the Vanya and Sonia and Masha and Spike company. Any questions? Join us! \nBook tickets for Vanya and Sonia and Masha and Spike with post-show Q&A
URL:https://terripaddock.com/events/vanya-sonia-masha-spike-charing-cross-theatre-post-show-talk/
LOCATION:Charing Cross Theatre\, The Arches\, Villiers Street\, London\, WC2N 6NL\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/03/Janie-Dee-Masha┬®nc-Vanya-Sonia-Masha-Spike010-1787x757-c.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200325T194500
DTEND;TZID=Europe/London:20200325T220000
DTSTAMP:20200327T121833Z
CREATED:20200304T173548Z
LAST-MODIFIED:20200327T121833Z
UID:27744-1585165500-1585173600@terripaddock.com
SUMMARY:The Last of the Pelican Daughters (cancelled)
DESCRIPTION:After their successful West End debut with Education Education Education\, The Wardrobe Ensemble return to London with their latest acclaimed devised show\, following an Edinburgh Fringe sell-out and UK tour. \nIn folklore\, pelican mothers feed their young on their own blood. In 2019\, four sisters are trying to divide their mother’s house between them. \nJoy wants a baby\, Storm wants to be seen\, Sage just wants to remember and Maya doesn’t want anyone to find out her secret. There’s a boot load of cheap prosecco\, a whole ham from Waitrose and Dodo the yoga instructor boyfriend has made baba ganoush. Mum’s presence still seeps through the ceiling and the floors. The Pelican Daughters are home for the last time. \n\nAfter the success of Education Education Education\, about British education under New Labour – for which I chaired a post-show Q&A last summer at the West End’s Trafalgar Studios – The Wardrobe Ensemble grapple with family\, inheritance and justice in this comedy about a family trying to come to terms with their mother’s death. \nThe Last of the Pelican Daughters is a Wardrobe Ensemble\, Complicite and Royal & Derngate\, Northampton co-production in association with Bristol Old Vic. It has been developed with Complicité: supporting the next generation of theatre-makers. \nFollowing the 90-minute performance on Wednesday 25 March 2020\, I’ll chair a post-show discussion with The Wardrobe Ensemble company of The Last of the Pelican Daughters. Any questions? Join us! \nBook tickets for The Last of the Pelican Daughters with post-show Q&A
URL:https://terripaddock.com/events/the-last-of-the-pelican-daughters-wardrobe-ensemble-post-show-talk/
LOCATION:Shoreditch Town Hall\, 380 Old Street\, London\, EC1V 9LT
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/03/the-last-of-the-pelican-daughters-136933-e1583342848429.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200324T193000
DTEND;TZID=Europe/London:20200324T221500
DTSTAMP:20200327T121820Z
CREATED:20200127T164659Z
LAST-MODIFIED:20200327T121820Z
UID:27146-1585078200-1585088100@terripaddock.com
SUMMARY:Blithe Spirit (cancelled)
DESCRIPTION:With a distinguished creative team who have won a plethora of awards between them\, this is a must-see revival of Noel Coward’s classic comedy Blithe Spirit\, full of sparkling and spirit-lifting hijinks. \nNovelist Charles Condomine and his second wife Ruth are literally haunted by a past relationship when an eccentric medium – Madame Arcati – inadvertently conjures up the ghost of his first wife\, Elvira\, at a séance. When she appears\, visible only to Charles\, and determined to sabotage his current marriage\, life – and the afterlife – get complicated. \nJennifer Saunders is one of the UK’s most popular comic actresses\, much loved for the sketch show French and Saunders\, for which she and Dawn French received a BAFTA fellowship in 2009\, and for the hit comedy series and subsequent film\, Absolutely Fabulous\, which she both starred in and wrote. \nSaunders’ gleefully funny performance as the eccentric clairvoyant Madame Arcati in Blithe Spirit delighted both critics and audiences alike when the production opened in Theatre Royal Bath’s 2019 Summer Season. \n“Absolutely fabulous… comic gold. Jennifer Saunders is a delight” – Sunday Express \nLisa Dillon (who plays Ruth) is best known for her role as Mary Smith in BBC 1’s Cranford. Geoffrey Streatfeild’s (Charles) credits include Spooks\, The Thick of It\, Traitors and the Histories Cycle at the RSC. Richard Eyre\, director of the National Theatre for ten years\, is the winner of five Olivier Awards\, including a Lifetime Achievement Award. Designer Anthony Ward’s numerous productions include Tony Award-winning Mary Stuart and Olivier Award-winning Oklahoma! \nFollowing the 7.30pm performance of Blithe Spirit on Tuesday 24 March 2020\, I’ll chair a post-show discussion with the company – exclusively for ATG TheatreCard holders. Just one of the many benefits of this great-value membership scheme from ATG\, the UK’s largest theatre groups. There are only 50 spaces available for this event\, which costs £5 (redeemable against drink at the bar)\, in addition to your ticket to the play. \nFor more information on the ATG Theatre Card\, click here.
URL:https://terripaddock.com/events/blithe-spirit-jennifer-saunders-duke-of-yorks-theatre-post-show-talk/
LOCATION:Duke of York’s Theatre\, 104 St Martin's Lane\, London\, WC2N 4BG\, United Kingdom
CATEGORIES:Post-show,Q&As,Special events
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/ProdShots_BlitheSpirit2019_Jennifer-Saunders-in-Blithe-Spirit.-2020-UK-tour-and-West-End.-Credit-Nobby-Clark-2.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200317T193000
DTEND;TZID=Europe/London:20200317T220000
DTSTAMP:20200327T122001Z
CREATED:20200127T161646Z
LAST-MODIFIED:20200327T122001Z
UID:27137-1584473400-1584482400@terripaddock.com
SUMMARY:Nuclear War | Buried | Graceland
DESCRIPTION:Newly appointed artistic director Alexander Knott launches his tenure at London’s Old Red Lion Theatre with a ‘box-set theatre’ offering. The Old Red Lion Triptych\, a unique three-play production\, teams the first revival of multi-award-winning Simon Stephens‘ short play Nuclear War\, a cult hit in its 2017 premiere at the Royal Court\, with two brand-new plays by two up-and-coming writers. \nTaken together\, the triptych asks questions about love and loss: What do we do next when faced with the devastating\, the unimaginable? How do we survive the insurmountable? Where are we now\, and where are we going? \nNuclear War is a heart-breaking and soul-stopping movement piece about a woman who needs to experience everything life has to offer\, in order to feel something again. Simon Stephens is one of the UK’s leading playwrights\, whose myriad credits include Sea Wall\, Heisenberg\, Birdland\, Punk Rock\, Pornography\, Harper Regan\, Country Music\, Motortown\, One Minute\, Port\, Herons\, Bluebird and his Tony and Olivier Award-winning adaptation of The Curious Incident of the Dog in the Night-Time. \nBuried is the harrowing true story of Max Spencer\, who was buried alive in World War II. It’s written by his son David Spencer and performed by his real-life grandson\, James Demaine. Max Saunders-Singer‘s Graceland is a darkly comic monologue from an overworked and harassed science teacher who is one small spark away from combusting in the classroom. \nThe Old Red Lion brings together work from multiple theatre collectives and production companies to create a mesmerising and lyrical triptych\, which also marks the directorial debut of Alexander Knott\, who helms Nuclear War and co-directs Buried. \nFollowing the 7.30pm performance on Wednesday 18 March 2020\, I’ll chair a discussion with Simon Stephens\, Alexander Knott and other creatives from the Old Red Lion Triptych. Any questions? \nBook tickets for Nuclear War | Buried | Graceland post-show Q&A
URL:https://terripaddock.com/events/nuclear-war-simon-stephens-old-red-lion-theatre-post-show-talk/
LOCATION:Old Red Lion Theatre\, 418 St John St\, Islington\, London\, EC1V 4NJ\, United Arab Emirates
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/01/ORL-Triptych-Nuclear-War-Graceland-Buried.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200314T194500
DTEND;TZID=Europe/London:20200314T214500
DTSTAMP:20200228T133020Z
CREATED:20200228T133020Z
LAST-MODIFIED:20200228T133020Z
UID:27645-1584215100-1584222300@terripaddock.com
SUMMARY:One Jewish Boy
DESCRIPTION:Written as an urgent response to rising anti-semitism\, One Jewish Boy transfers to the West End’s Trafalgar Studios after a controversial\, sell-out run at the Old Red Lion Theatre. I’ll talk to writer Stephen Laughton and guest Rabbi Miriam Berger about the issues raised. \n★★★★ “Moving & tenderly performed two-hander” – The Stage \nJesse is paranoid and he’s frightened and it’s messing up his relationship\, his job\, his child and his life… Bittersweet comedy One Jewish Boy focusses squarely on the inheritances that haunt us. Asking if the fear of hatred could be worse than hate itself…? \nWith anti-Semitism and racism rife in political parties and hate-crime at unprecedented levels\, award-winning writer Stephen Laughton explores one young family’s struggle against fear\, prejudice and identity. \n\nLaughton wrote One Jewish Boy as an urgent response to overt anti-Semitism. Highlighting the problem\, when the play premiered at the Old Red Lion Theatre in 2018 it attracted newspaper headlines for a wave of anti-semitic backlash it received online and off. \n★★★★★ “Intelligent & fearless writing” – Jewish News \nThe production stars One Jewish Boy stars Asha Reid and Robert Neumark-Jones\, directed by Sarah Meadows. It’s a Greenwich Theatre and Scene Change Productions co-production\, supported by Stage One Bursary Scheme for New Producers. \nFollowing the 7.45pm performance of One Jewish Boy on Saturday 14 March 2020\, I’ll chair a post-show discussion with writer Stephen Laughton and special guest\, Rabbi Miriam Berger. The evening also includes a prayer\, free drink and mingling with cast\, writer\, director and producers. Join us! \nBook tickets for One Jewish Boy with post-show Q&A
URL:https://terripaddock.com/events/one-jewish-boy-trafalgar-studios-post-show-talk/
LOCATION:Trafalgar Studios\, 14 Whitehall\, London\, SW1A 2DY\, United Kingdom
CATEGORIES:Post-show,Q&As,Special events
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/02/Artwork-One-Jewish-Boy-landscape-800.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200311T194500
DTEND;TZID=Europe/London:20200311T214500
DTSTAMP:20200220T183708Z
CREATED:20200220T183708Z
LAST-MODIFIED:20200220T183708Z
UID:27624-1583955900-1583963100@terripaddock.com
SUMMARY:Love\, Loss & Chianti
DESCRIPTION:I’m excited to raise a toast to Robert Bathurst and the team behind poetry-inspired Love\, Loss & Chianti – and to pay my first visit to the new\, purpose-built home for iconic London arts centre Riverside Studios. \n‘Witty’ and ‘enchanting’ (★★★★ Telegraph)\, Love\, Loss & Chianti is an intimate new production starring Robert Bathurst (Cold Feet\, Downton Abbey\, Toast of London) and Rebecca Johnson (The Trip\, The Flood). \nThe perfect night out for anyone who’s ever loved\, lost or been on a rubbish date… \nA delicious double-bill\, Love\, Loss & Chianti combines critically acclaimed poet Christopher Reid’s hauntingly powerful exploration of grief (A Scattering) with his raucous verse comedy\, following a reckless attempt at rekindling an old flame (The Song of Lunch) – what could possibly go wrong? \n\nThe production is directed by Jason Morell and set to spectacular animation by celebrated Alex cartoonist Charles Peattie. \nThe critics have raved about Christopher Reid‘s Costa Prize-winning poetry\, which forms the basis for Love\, Loss & Chianti: ‘consistently witty verse… gorgeous phrase-making… enchanting’ (Telegraph)\,  ‘a crisp\, full-bodied\, powerful drama’ (Mail on Sunday)\, ‘a joy from start to finish’ (The Times)\, ‘beautiful and moving… a masterwork’ (Costa Prize judges on A Scattering). \nFollowing the 7.45pm performance of Love\, Loss & Chianti on Wednesday 11 March 2020\, I’ll chair a discussion with stars Robert Bathurst and Rebcca Johnson and the team. Any questions? \nBook tickets for Love\, Loss & Chianti post-show Q&A
URL:https://terripaddock.com/events/love-loss-chianti/
LOCATION:Riverside Studios\, 101 Queen Caroline Street\, London\, W6 9BN\, United Kingdom
CATEGORIES:Post-show,Q&As
ATTACH;FMTTYPE=image/jpeg:https://terripaddock.com/wp-content/uploads/2020/02/Robert-Bathurst-Love-Loss-Chianti-800x600-1.jpg
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