Angels in America

Q&A podcast and photos: What does Marlowe’s Edward II tell us about identity and gay rights?
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Q&A podcast and photos: What does Marlowe’s Edward II tell us about identity and gay rights?

Q&A podcast and photos: What does Marlowe’s Edward II tell us about identity and gay rights?

By Terri Paddock|2020-03-27T16:07:26+00:001 September 2017|Tags: Angels in America, Christopher Marlowe, classics, Edward II, Elizabethan drama, Gay plays, gay theatre, Lazarus Theatre, Luke Ward-Wilkinson, Mark Woolgar, queer theatre, Ricky Dukes, Terri Paddock events, Tristan Bates Theatre, Zack Polanski|

The plays may have been written 420-odd years apart, but I was really struck by how many parallels there were between the discussion I hosted last week, to the European premiere of Jordan Tannahill's Late Company, and the one I hosted last night, to Christopher Marlowe's 16th-century classic Edward II.

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My theatre diary: To Kill a Mockingbird, Henry V, As Is, Orson’s Shadow & The Invisible
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My theatre diary: To Kill a Mockingbird, Henry V, As Is, Orson’s Shadow & The Invisible

My theatre diary: To Kill a Mockingbird, Henry V, As Is, Orson’s Shadow & The Invisible

By Terri Paddock|2020-03-27T13:05:02+00:0015 July 2015|Tags: Adrian Lukis, AIDS plays, Alexandra Gilbreath, Andrew Keates, Angels in America, As Is, Atticus Finch, austerity, Bend It Like Beckham, Bush Theatre, Colette O'Rourke, cuts, David Poynor, Diversity diary, Edward Bennett, Gina Bellman, Go Set a Watchman, Harper Lee, Henry V, Jagged Fence, John Hodgkinson, Laurence Olivier, Lazarus Theatre, Legal Action Group, legal aid, Louise Ford, My Night With Reg, Open Air Theatre, Orson Welles, Orson's Shadow, Rebecca Lenkiewicz, Ricky Dukes, Robert Sean Leonard, Sirine Saba, Steven Webb, The House of Mirrors and Hearts, The Importance of Being Earnest, The Invisible, The Law Society, The Mentalists, Timothy Sheader, To Kill a Mockingbird, Tom Hescott, Vivien Leigh|

Since I got back from my month of remote working in Mallorca, I’ve been lucky

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