Katy Lipson

Ballad Lines post-show video and photos: Expressing female empowerment via folk music

By |2026-03-07T23:01:04+00:0015 February 2026|Tags: , , , , , |

When director Tania Azevedo and composer Finn Anderson were first commissioned to write a new musical, they decided to follow two parallel lines of exploration.

The Last Five Years: The piano is the new star in Jason Robert Brown’s two-hander

By |2021-09-27T11:09:49+01:0027 September 2021|Tags: , , , , , , , , , , |

There's a line in The Last Five Years, Jason Robert Brown's semi-autobiographical musical two-hander about a relationship breakdown, that gets me every time.

Unexpected Joy Q&A video and photos: How can we find common ground through musical theatre?

By |2020-02-01T21:57:11+00:0014 September 2018|Tags: , , , , , , , , , , , , , , |

Can musical theatre help us find common ground with those with whom we disagree? If so, Unexpected Joy is undoubtedly the musical to do it. 

From Page to Stage Q&A podcast and photos: How is the international scene changing for new musicals?

By |2020-03-27T17:00:35+00:0015 August 2017|Tags: , , , , , , , , , , , , |

Two years ago, I chaired the opening night discussion at the third annual From Page to Stage festival of new musicals founded by Aria Entertainment's Katy Lipson. The central question on that occasion was "are we doing enough to nurture new musicals?" And the central answer was no.

Lizzie Q&A podcast and photos: Why axe murderer Lizzie Borden is a feminist icon

By |2020-03-27T18:52:15+00:0024 February 2017|Tags: , , , , , , , , , , |

The American gothic rock musical Lizzie, which is now receiving its UK premiere in a limited season at London's Greenwich Theatre, opens and closes with a nursery rhyme I memorised in my own American youth about the real-life 19th-century crime.

Bar Mitzvah Boy: How do you turn a famous musical flop into a smash hit?

By |2020-03-27T12:54:12+00:0014 March 2016|Tags: , , , , , , , , |

Remarkable debut: 13-year-old Adam Bregman, who had his own Bar Mitzvah in October, stars

3 important ‘new’ schemes for new musicals that get my full support

By |2020-03-27T12:59:14+00:0013 November 2015|Tags: , , , , , , , , , , , |

Nigel Richards, Emily Bull and Jessica Sherman in The Stationmaster at Tristan Bates Theatre.

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